Jim Dunlop 95Q Cry Baby Wah – Switchless Wah

£154.00

This is a New Jim Dunlop 95Q Cry Baby Wah – Switchless Wah from Jim Dunlop, listed in Wah & Filter Pedals on Just Pedals. Read More below.

View Just
more

The Jim Dunlop 95Q Wah builds on the original classic crybaby wah and adds some extra features that give you even greater control over your sound.

The First noticable change is that the pedal does not have a switch but has an auto return to off function that means as soon as you start moving the wah the pedal is on, when you stop, it stops. The Pedal also features a Q Control and Volume control which are controlled buy small dials on the side of the pedal. 

The Red Volume Kick switch on the side of this pedal means its easy to spot on famous players pedal boards such as Steve Vai.

Here’s what Jim Dunlop say about the 95Q Wah

We’ve taken the original Cry Baby and added three of our most popular upgrades: the famous “Q” Control, which varies the intensity of the wah effect by adjusting the effect’s bandpass shape; Volume Boost, for up to +15dB added gain; and our Auto-Return function that automatically engages the effect when you place your foot on the pedal. It all adds up to a versatile, great sounding wah.

Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

“Q” Control varies the intensity of the wah.
Volume Boost for up to +15dB of added gain.
Auto-Return function automatically engages effect.

Related videos

Brand

Jim Dunlop

In the current JustPedals catalogue, Jim Dunlop is represented by Wah & Filter Pedals, Fuzz Pedals and Volume Pedals. Current listings include MXR GT Overdrive, DVP4 Volume X Mini and Slash Wah. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah and filter pedals move or emphasise a frequency range to create a vocal sweep, resonant peak, cocked-wah tone or envelope-controlled response. A treadle wah is controlled by foot position; an auto-filter follows playing dynamics or a control source. Sweep range, resonance, Q, bias, input loading and bypass all change the feel. Check whether the circuit prefers to see the guitar directly, how it handles bass or synth signals and where it should sit around fuzz, overdrive and modulation.