Way Huge WM61 Smalls Blue Hippo Analog Chorus – New Way Huge Guitar Effect Pedal
£165.25
The Way Huge Smalls Blue Hippo Analog Chorus provides a simple speed with a control interface full of depth. The tone is widened with a full-on rotating speaker modulation. It features a vibe switch to give tones a little more texture. The Way Huge Smalls Blue Hippo Analog Chorus creates the same lusciously liquefied sounds…
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The Way Huge WM61 Smalls Blue Hippo Analog Chorus is in New condition and made by Way Huge , it is a great Chorus Analog Hippo Blue Smalls WM61 Huge Way Guitar Effect Pedal- The Way Huge Smalls Blue Hippo Analog Chorus provides a simple speed with a control interface full of depth. The tone is widened with a full-on rotating speaker modulation. It features a vibe switch to give tones a little more texture. The Way Huge Smalls Blue Hippo Analog Chorus creates the same lusciously liquefied sounds in a more pedalboard-friendly package. . Available from Just Pedals for only £ 165.25 Features Tone Widening Full-On Rotating Speaker System Provides More Texture Vibe Switch adds to the overall tone Liquefied Sounds in a more pedalboard friendly package
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Way Huge Electronics, founded by Jeorge Tripps in 1992, has established itself as a standout name in the world of boutique guitar pedals. The company quickly garnered attention with its distinctive designs, including the popular Swollen Pickle and Green Rhino.
What sets Way Huge apart is its successful blend of classic tones with contemporary reliability. Their pedals, ranging from overdrives to fuzzes, offer a rich variety of sounds that cater to both traditional and modern preferences.
Known for their sturdy build and intuitive controls, Way Huge pedals have become a favourite among musicians looking for unique and dependable effects to enhance their sound.
Analog
“Analog” refers to a method of processing electrical signals that relies on continuous variations of voltage or current. In the context of guitar effects pedals, analogue refers to circuits that manipulate the guitar signal using analogue components such as transistors, capacitors, and resistors, without converting the signal into digital data.
Analogue effects pedals are prized for their warmth, organic sound, and responsiveness to player dynamics. They often produce subtle harmonic distortions and imperfections that contribute to their unique character and musicality. Additionally, analogue circuits typically impart a more natural and transparent tone to the guitar signal compared to digital effects.
Common types of analogue effects pedals include overdrive, distortion, fuzz, modulation (such as chorus, phaser, and tremolo), delay, and reverb pedals. Each type of pedal utilizes analogue circuitry to achieve its particular sound and effect.
Despite the rise of digital technology in recent years, analogue effects pedals remain popular among guitarists, collectors, and enthusiasts for their classic sound, vintage appeal, and tactile user experience. Many players appreciate the sonic warmth and character of analogue pedals, as well as the simplicity and reliability of their circuitry.
In summary, analogue effects pedals process the guitar signal using continuous electrical variations, resulting in a warm, organic, and responsive tone prized by many guitarists.
Chorus
A “chorus” pedal is a type of modulation effect used in guitar and bass playing to create a rich, swirling sound that simulates the effect of multiple instruments playing the same part simultaneously. Chorus pedals are popular for adding depth, warmth, and movement to the guitar tone, and they are widely used across various music genres, from rock and pop to jazz and ambient.
Chorus pedals work by splitting the guitar signal into two identical paths. One path remains unaffected, while the other path is slightly delayed and modulated in pitch. The modulated signal is then mixed back with the original signal, creating the characteristic “shimmering” effect associated with chorus.
Key features of chorus pedals include:
1. **Rate**: This controls the speed at which the modulated signal’s pitch fluctuates, determining how quickly the chorus effect cycles.
2. **Depth**: Also known as intensity or mix, this adjusts the amount of modulation applied to the delayed signal. Higher depth settings produce a more pronounced and noticeable chorus effect.
3. **Delay Time**: Some chorus pedals allow you to adjust the delay time, which affects the perceived width and depth of the chorus effect. Longer delay times create a more spacious and immersive sound.
4. **Tone or EQ**: Many chorus pedals include tone or EQ controls to shape the frequency response of the chorus effect. These controls allow you to tailor the tone of the chorus to suit your preferences or match the characteristics of your guitar and amplifier.
Chorus pedals can be used in various ways to enhance your playing:
– **Thickening**: Adding a subtle chorus effect to your guitar tone can thicken it, making it sound fuller and more expansive. This is particularly useful for filling out the sound in a band mix or creating a lush, layered texture in ambient music.
– **Clean Tones**: Chorus pedals are often used with clean or lightly overdriven guitar tones to add sparkle and dimension. They can impart a sense of movement and depth to simple chord progressions or arpeggios, making them sound more dynamic and expressive.
– **Lead Tones**: When applied to lead guitar lines or solos, chorus pedals can add a touch of modulation that helps the notes stand out and sound more vibrant. This can be especially effective for achieving a “shimmering” quality in melodic passages.
Overall, chorus pedals are versatile tools that can add depth, warmth, and character to your guitar tone. Whether you’re aiming for subtle enhancement or bold modulation effects, a chorus pedal can be a valuable addition to your pedalboard.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Same lusciously liquefied sounds in a more pedalboard-friendly package Take it from lush tone-widening to full-on rotating speaker madness Vibe switch adds thick Vibrato texture Model Number WM61
Same bright, jangly sound in a more pedalboard-friendly package Perfect for tone-thickening and old school slap-back delay All-Analog signal path Simple three-knob interface Model Number: WM71
The WM32 Geisha Drive is the way huge's Smalls series overdrive pedal, offering a wide range of dynamic and touch-sensitive sounds ranging from overdrive to distortion by adjusting the volume of the guitar. The Way Huge WM32 Geisha Drive from the Smalls series is an overdrive pedal capable of dynamically responding to guitar volume, ranging from overdrive sound to distortion. This pedal has a very simple circuit that allows you to bring out the personality of the guitarist and guitar. The three-control layout is simple, but allows for versatile sound that is shaped by the guitar volume and the dynamics of the guitarist. At a contained gain, you get a warm and soft sound, while mid-stroke this pedal offers a dense overdrive. By pushing the drive knob to the maximum, you get a powerful distortion. The Tone knob allows you to lighten and soften the distortion, while the Volume control manages the overall volume of the effect. This pedal is perfect for use with both a perfectly clean amp a… read more
All-analog bucket-brigade circuitry. Create classically lush, liquid textures. Ultimate tone control. Rate, level, and depth controls Made in benicia, californa
Smaller, pedalboard-friendly housing 100Hz and 500Hz controls for shaping mids and depths The classic switch evokes the tones of the original Green Rhino OD
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