The new standard. With the Walrus Audio Mako R1 High-Fidelity Stereo Reverb the game has been changed. In a world of high-quality reverbs the Mako R1 stands apart thanks to its sheer clarity articulation and unparalleled fidelity. Featuring six stereo reverb algorithms the intuitive controls and latch/sustain footswitch give you everything required to craft and…
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The Walrus Audio Mako R1 High-Fidelity Stereo Reverb is in New condition and made by Walrus Audio , it is a great Reverb Stereo High-Fidelity R1 Mako Audio Walrus Guitar Effect Pedal- The new standard. With the Walrus Audio Mako R1 High-Fidelity Stereo Reverb the game has been changed. In a world of high-quality reverbs the Mako R1 stands apart thanks to its sheer clarity articulation and unparalleled fidelity. Featuring six stereo reverb algorithms the intuitive controls and latch/sustain footswitch give you everything required to craft and refine your ultimate reverb tone; the 32-bit floating point processing then realises that reverb in staggeringly pristine fashion. Nine integrated presets and 128 presets accessible via MIDI gives you more options than you may ever need its better to have too many than too few. Selectable bypass options extend the versatility further. One remarkable function is the X control which alters mode-specific features (size drive air diffusion) demonstrating this is truly a reverb like no other. Go from subtle spring to verb so euphorically vast it sounds like its from a different dimension. Take your reverb to places you didnt know were possible with the Mako R1. . Available from Just Pedals for only £ 321 Versatility of verb Six programs. Nine built-in presets. 128 MIDI presets. If you can think of a reverb the Mako R1 can do it. Choose from six programs: Spring provides a perfect emulation of an exciting spring reverb such as those in tube amps Hall does what it says on the box- spacious reverb mimicking concert hall-style venues Plate provides a perfect imitation of an analog plates reverb ie. the EMT 140. These 3 modes could be described as more traditional programs the next 3 offer something much bigger in scale and far more ethereal. BFR stands for Big F Reverb which is more than a little suggestive of how massive this reverb sounds. This goes beyond any Giant Arena variant youve ever come across- you have to try it to truly appreciate the sheer size of this mode. Refract enables glitchy reverse delay textures over a heavily diffused reverb. This is the most eccentric mode and one that provides endless fun experimenting with the outlandish soundscapes it creates. Finally Air is a breathy very diffused reverb with more of a crisp clarity to its decay. With so much to explore the only way is to dive in headfirst to the world of expansive reverb. Intuitive layout The detailed controls make dialling in a range of reverbs with the Mako R1 remarkably easy. Decay controls the length of the reverb effect while Mix simply controls the wet/dry balance. Tune shapes your EQ and sculpts the bass and treble response of the reverb signal. Tweak then controls the amount of modulation and pre-delay present. Swell allows you to introduce volume swells giving you scope for truly etheral reverb tones. Tweakability is key and the R1s layout is deliberately straightforward to make experimentation easy so you can get hands-on crafting your ideal reverbs. Features Powerful and versatile multi-function stereo reverb Six studio-quality stereo reverb-programs: Spring Hall Plate BFR Refract Air Spring emulates an excited spring reverb commonly found in tube amps Hall provides the acoustics of large live sound spaces like concert halls Plate emulates a smooth analog plate reverb like EMT 140 BFR is a no holds Big F Reverb. More than a giant arena reverb Refract allows for glitch-like reverse delay textures hovering over a largely diffused reverb Air offers a larger diffused reverb with more “crisp” clarity to its decayEach program is customizable to your taste and playing style X Parameter is unique to program-specific features (size drive air diffusion …) Sus/Latch to momentarily sustain reverb or latch the present reverb decay Nine on-board presets 128 presets accessible via MIDI MIDI In/Out DIN connections Stereo or Mono operation Three bypass modes: true bypass DSP+ true bypass (trails) and DSP bypass (trails) Powerful MAKO platform with Analog Devices SHARC processor 24-bit 48kHz A/D and D/A converters for high quality audio 32-Bit floating point processing 9-volt DC Center Negative 300mA minimum Power Supply not included Made in the USASpecifications Product Code: MAKO SERIES R1 Dimensions: 124.5 x 64 x 67.1 mm Packaging dimensions: 127 x 112 x 70 mm Weight: 0.54 kg
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Walrus Audio is an American boutique guitar effects pedal company based in Oklahoma City, known for its high-quality, innovative designs and artistic approach to pedal-making. Founded in 2011 by Brady Smith, the company quickly gained a reputation for creating pedals that offer a unique blend of rich, expressive tones and striking visual aesthetics.
Each Walrus Audio pedal is designed with meticulous attention to detail, often incorporating complex circuitry that allows for a wide range of sonic possibilities.
The pedals feature distinctive, hand-drawn artwork on their enclosures, making them visually appealing as well. Walrus Audio’s product lineup includes a variety of effects such as reverb, delay, overdrive, modulation, and more, and their pedals are widely appreciated by musicians for their creativity, durability, and superior sound quality.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Extremely powerful and versatile multi-function reverb Can quickly go from small intimate room sounds to massive washes of experimental euphoria with six customized, studio-quality programs – Spring, Hall, Plate, BFR, RFRCT (Refract), and Air Every program can be tuned and tweaked and then saved to one of nine on-board presets Boasts a volume swell effect that can be applied to any program, sustain and latching momentary features, stereo in and out, MIDI control Players of all styles and genres will be able to find eternal inspiration with the R1
All six programs rebuilt and revamped for vast tonal improvement Features a new Ducking/Swelling feature as well as a size control and diffuse control for each program Includes a Feedback EQ Control 128 on-board presets accessible via the menu Menu screen for simple navigation and adjustments for secondary controls
Allows players to create lush, modulated, sleepy and ambient soundscapes Dark – add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb Rise – this is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time It takes the reverb to swell in after a note is played. Set Lower for shorter rise times and higher for longer rise times Dream – here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add Vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of Vibrato applied to the reverb trail Lollipop Blue finish with light Blue and off white ink featuring original artwork by christi DU toit
Delays/Echos/Reverb Effects for Guitars Guitars We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.
The Ambient Reverb comes in a black finish with blue and off-white ink. Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio pedals. Daisy chain power supplies are not recommended. Power supply not included. Provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes
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