A Reverb Guitar Effect Pedal – This item is in excellent working condition and barely used.Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambi…
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The Pigtronix Cosmosis Stereo Ambient Reverb Pedal w/Morphing Reverb is in used condition and made by Pigtronix , it is a great Reverb Reverb Guitar Effect Pedal – This item is in excellent working condition and barely used.Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambi… . Available from Just Pedals for only 150.14 (+delivery)
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Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Used
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Delay line ranges from 100ms to 5 seconds of delay time with up to two taps Combines extremely high-headroom analog circuitry with digital flexibility and programming power Subdivide the taps into one of five time divisions, including 1, 3/4, 2/3, 1/2, and the golden ratio Phi Reverse, Jump, Pong, and Modulation Tempo Sync modes cover a wide range of textures and delay styles
Phase Speed: Sets the rate of modulation for the phaser. Trem Speed: Sets the rate of modulation for the tremolo. Depth: Sets the intensity of both the phaser and tremolo. Sens.: Determines how much signal is required to change the speed of both phaser and trem when dynamics processing is turned on.
Clean Boost: Class A Boost can deliver up to 20db of clean boost and remains effective with both instrument and line-level signals Signal-To-Noise Performance: Superior signal-to-noise performance allows you to put the Class A Boost anywhere in your pedal chain. It can add punch and extra output to a classic overdrive sound and can push distortion pedals into extremely aggressive crunch land Ideal For: Class A Boost is also ideal for hitting the front end of a tube amp to achieve an added layer of sweetness Level Knob: The Level knob sets the overall output volume Satisfying Saturation: The feed-forward J-FET-based design of the Class A Boost provides up to 20db of high-headroom boost with just enough class A saturation to warm up your tone
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