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The JHS Double Barrel V4 2-in-1 Dual Overdrive Pedal is in Used condition and made by JHS , it is a great Overdrive Guitar Effect Pedal – Mint condition – original box & box content is included. Shipping and handling time is 1 day. Tone stacking for low-to-medium gain settin… . Available from Just Pedals for only £ 352.85 (+delivery)
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We have one of the largest online selection of new and used JHS music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.
JHS Pedals is a prominent manufacturer of guitar effects pedals, known for their high-quality craftsmanship, innovative designs, and commitment to tone. Founded in 2007 by Josh Scott in Kansas City, Missouri, JHS Pedals has quickly gained a reputation for producing boutique-quality pedals that cater to a wide range of musical styles and preferences.
JHS offers a diverse lineup of effects pedals, including overdrive, distortion, fuzz, modulation, delay, reverb, and more. The company is known for its meticulous attention to detail and dedication to producing pedals that deliver exceptional tone and versatility. Many of their pedals are designed to capture the tones of classic vintage effects while incorporating modern features and improvements.
In addition to their standard pedal lineup, JHS Pedals also offers a range of signature pedals in collaboration with renowned artists and musicians. These pedals are designed to meet the specific needs and preferences of the artists, providing them with unique tones and features for their playing style.
With a commitment to innovation and a passion for tone, JHS Pedals continues to be a trusted name in the guitar effects industry, providing musicians with inspiring tools to shape their sound and creativity.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Used
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Moonshine V2 on right side, Morning Glory V4 on the left side Versatile but transparent overdrive at medium and light gain levels Character and stacking abilities to cover almost any tonal need “Order switching” toggle Standard 9V DC Negative power, consumes less than 100mA
A pedal that could go from overdrive to distortion and all the way to fuzz A passionate homage to a landmark pedal that changed music history Uses a unique digital runway system to direct the paths of 261 components through 40 individual switches to achieve a fluid, analog multimode switching Over 100 different RAT specimens were studied to achieve this unique circuitry 9 unique iterations of the ProCo Rat in 1 stomp box
Made in Kansas City USA This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide Runs on 9V DC negative center power and consumes 12mA
Delay tuned for slap-back junkies Controls for Slap (time), Mix (delay level), Repeat (number of repeats), and EQ (tone of repeats) Transparent boost is great for getting above the mix or pushing an amp into overdrive Maximum delay time of about 240ms makes dialing in the perfect slap much easier Operates at standard DC Negative 9V
Compact and versatile tone-machine When both toggles are down, you are in the lightest gain setting, amp-like chimney breakup G1 flipped up adds a touch of drive for more riffy grit G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything
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