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  • Alexander Pedals Rewind Programmable Echo Delay Pedal
  • Alexander Pedals Rewind Programmable Echo Delay Pedal
  • Alexander Pedals Rewind Programmable Echo Delay Pedal
  • Alexander Pedals Rewind Programmable Echo Delay Pedal
Alexander Pedals Rewind Programmable Echo Delay Pedal - Image 1 Alexander Pedals Rewind Programmable Echo Delay Pedal - Image 2 Alexander Pedals Rewind Programmable Echo Delay Pedal - Image 3 Alexander Pedals Rewind Programmable Echo Delay Pedal - Image 4

Alexander Pedals Rewind Programmable Echo Delay Pedal

£239.00

This is a New Alexander Pedals Rewind Programmable Echo Delay Pedal from Alexander Pedals, listed in Delay Pedals on Just Pedals. Read More below.

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The Rewind Programmable Echo is a reimagining of Alexander Pedals' flagship echo, full of reverse repeats, filtered delays, dirty, lo-fi ambience, and pristine digital delay with lush modulation — all rendered in expansive true stereo!

It features 10 distinct modes and has full MIDI and expression capabilities for storing and instantly accessing innumerable presets. Editing and creating presets is so easy and intuitive, you probably won't even need the manual, and the new OLED display makes everything very easy to see on a dark stage or rehearsal room.

Sound Modes

  • Tape: Magnetic mash up based on Alexander's favourite tape echo units. Set HEAD to A for a classic single tape echo, or experiment for multi-tap madness.
  • Analog: Classic 1970s electronic solid-state echo, based on Alexander's collection of vintage delay pedals. They've added a multi-waveform modulation section for analog-style chorus and vibrato textures.
  • Digital: 1980s computer magic lives here, digital delay with modulation. Use the BITS control to dial in low-resolution "early digital" sounds, set it low for clean repeats.
  • Pitch: Clean digital delay with a flexible pitch transposer for the ultimate in shifty business. Set the MODE to PRE or POST for traditional pitch shifting, or engage the ARP modes for arpeggio patterns.
  • Dual: Double delay lines in parallel. Set TYPE to MONO for classic dual delay, STER for independent left/right echo, or PONG for panning ping-pong delay. Each delay has 625ms of echo time. Set TIM2 to LOCK to synchronize delay times.
  • Diffuse: Cloudy day delay, combines a single echo with a reverb-style diffusion filter to smear and wash the delay repeats. Alexander have incorporated digital bit crushing as well as two-band EQ to fine tune your ambient experience.
  • Reverse: Alexander named the pedal "Rewind", so you knew this one had to be in here. They've upped the delay time to a whopping 2.5 seconds to make your reverse echoes sound cooler, at the cost of a bit of high-end and fidelity.
  • Dynamic: Clean digital delay with a flexible audio gate and swell generator. MODE selects GATE (delay is cut off sharply,) BLOM (delay blooms in behind dry signal) or SWEL (delay and dry signal swell in over time).
  • Filter: Delay with synth-style resonant low-pass filter. MOD selects filter modulation source, SIN and SQU LFO, ENV- and ENV+ envelope follower, RAND random sample and hold, or FIXD parked filter.
  • Lo-Fi: Filthy and gorgeous dirty delay. This mode stacks a digital distortion after the delay pedal for unique textures. Also includes triangle-wave modulation on the delay effect.

Specifications

  • Input: Mono or stereo (TRS)
  • Output: Mono or stereo (use either TRS or dual TS)
  • Input Impedance: 1M ohms
  • Output Impedance: 560 ohms
  • Power Requirements: DC 9V only, 250mA or greater
  • Requires isolated DC power supply
  • Dimensions: 2.4" x 4.7" x 1.6" W x H x D not including knobs (67 x 120 x 42mm)
  • 32 user presets, selectable on-device without additional controllers
  • MultiJack enables expression pedal, foot switch, expander switch, or MIDI input
  • Full MIDI control over every knob and setting
  • EXP Morph allows controlling all knobs from expression or MIDI
  • Automated ramping function for expression without external pedal
  • CTL foot switch for tap tempo or ramp trigger
  • USB port for firmware updates and USB MIDI
  • Buffered bypass (hybrid analog + digital)

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Brand

Alexander Pedals

In the current JustPedals catalogue, Alexander Pedals is represented by Delay Pedals and Reverb Pedals. Current listings include Space Force Reverb, Syntax Error XP Lofi and Velvet Noise Stereo Widener. That makes the range relevant to players looking for time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Delay Pedals

Delay pedals repeat the input after a set time, from a short slapback to long ambient trails. Feedback controls how many repeats continue; filtering, modulation, saturation and mix shape their tone and prominence. Tap tempo can keep rhythmic delays aligned with a song, while presets and MIDI help when several timings are needed. Analogue, tape-style and digital designs respond differently to transients and overload. Check maximum delay time, spillover, stereo routing, trails and headroom before choosing a model for the rest of the board.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Digital

Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Presets

Preset-capable products can store and recall effect settings, signal paths or control assignments. The useful differences are the number of locations, whether footswitches or MIDI can recall them, what parameters are saved, how quickly they change and whether trails continue between settings. Check editing, backup, firmware, expression and USB requirements, and confirm that the preset system covers the parameters you need rather than assuming every control is recalled.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.

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