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Reduces dynamic range by turning louder peaks down and raising or sustaining the average level. Attack, release, ratio, blend and output gain decide whether it stays discreet or becomes an effect.
Repeats the input after a set time; feedback controls how long the repeats continue, while filtering, modulation and mix shape their character. Tap tempo may set timing hands-free.
Uses stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. The circuit may be voiced for amp-like crunch, high gain, or a deliberately abrasive texture.
Uses moderate clipping and gain-dependent compression to add harmonics while retaining much of the original note contour. Bass filtering, mid emphasis, clipping symmetry and available headroom decide whether it sounds open and amplifier-like, tightly focused or heavily saturated.
Builds a dense tail of reflections around the original sound. Early reflections establish apparent distance and size, while decay, diffusion, damping and modulation shape the density, brightness and movement of the later field. Pre-delay separates the dry attack from the ambience, and mix controls their relative level.