One Control Strawberry Red Overdrive RC Pedal

£84.99

This is a New One Control Strawberry Red Overdrive RC Pedal from One Control, listed in Overdrive Pedals on Just Pedals. Read More below.

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One Control STRAWBERRY RED OVERDRIVE RC is a new modified version of our classic SROD overdrive tweaked again by Björn Juhl to do the classic sound as well as some new modern tones with heightened articulation and note definition.

This is a sound that is not specific to any genre or style of music and could be used in a wide range of musical situations. The STRAWBERRY RED OVERDRIVE RC model has been specially tuned for humbucker-equipped guitars and heavy tones while still having the characteristics of a great high-end tube amplifier.

The original SROD4K was developed to be a versatile overdrive that can bring the dynamics and feel of expensive tube audio circuits to guitarists everywhere, even if playing through small solid-state combos. Our new SRODRC will operate between 9v and 18v for higher headroom operation and a bit more focused tone with wider dynamic range.

Our 4K (four knob) arrangement is:

  • VOLUME: Adjusts the volume
  • DRIVE: Adjust the gain level of the overdrive
  • TREBLE: Adjusts the high-end contour of the tone
  • LOW: Adjusts the low-end boost/cut

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Brand

One Control

One Control combines compact effects, circuit designs by Björn Juhl (BJF), and practical pedalboard tools. The BJF Series makes Juhl’s designs available in small enclosures, while other One Control products adapt or extend designs associated with his BJFE work. JustPedals listings include the Prussian Blue Reverb, Little Copper Chorus, Sea Turquoise Delay and Lemon Yellow Compressor, plus a Minimal Series junction box with BJF Buffer. The range spans tone-shaping pedals and rig utilities, so product-series and function are useful ways to navigate it. The source material reviewed did not establish a single manufacturing location for all One Control products.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.