EBS Micro Bass 3 Preamp / DI Box

£319.00

This is the EBS Micro Bass 3 Preamp / DI Box from EBS, listed in Preamp & DI Pedals on Just Pedals. Read More below.

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The EBS-MB3 is a preamp with two channels, produced using high-end materials and parts. You’ll have plenty of headroom to play with as the preamp works at a signal level that is equal to a pro mixing console. This higher signal means you can use it as a preamp alongside any type of standard power amp.

Useful Built-In Tools

A number of in-built features separate the EBS-MB3 from the rest. The two contrasting channels (drive and clean) can be used either parallel or in series. The dual balanced XLR-Outputs can tap the signal post and pre-EQ simultaneously, while 10 M Ohms of Input Impedance let it handle absolutely any kind of bass. An onboard tuner means you can tune without needing another device. This is a seriously versatile piece of kit!

Features

  • Professional, Analogue Preamp
  • Dual Channels (Overdrive & Clean)
  • Blend Control (for Drive)
  • Run Either in Parallel or Series
  • Dual Balanced XLR-Out (Pre & Post EQ or Stereo)
  • Effects Loop (Mono or Stereo) – Running in Stereo Mode the Balanced Outputs Become Left & Right Output
  • Character and Bright Filters (Clean Channel)
  • HI or LO Gain Drive Engines
  • Thin or Deep Type (Drive Channel)
  • Onboard Compressor
  • Tuner, Aux Input
  • Headphones Out
  • 10 M Ohms Input Impedance
  • 9V DC, 450 mA Required (Power Supply is Included)

Specifications

General:

  • Weight: 660g (1.5lbs)
  • Dimensions (W x D x H): 6.6" x 4.9" x 2.1"

Aux Info:

  • Power Requirements: Idle 450mA @9V. Max 750mA @ 9V (with Headphones at Max Output Level

Balanced Outputs:

  • Options: Pre/Post EQ, L/R Channel in Stereo Mode
  • XLR Connections: 1-GND, 2-Hot, 3-Cold
  • Output Level: Nominal -20dBv

Output:

  • Output Impedance: <1 k Ohms
  • Signal Level: Nominal 0 dBv

Aux Input:

  • Input Impedance: 20 k Ohms
  • Nominal Level: -10 dBv

Phones Out:

  • Recommended Impedance: 32 – 200 Ohms

Effects Loop:

  • Input Impedance: > 200 k Ohms // 22 pF
  • Output Impedance: < 100 Ohms
  • Gain: Unity (1:1)
  • Loop Signal Level: Nominal -10 dBv

Drive Channel:

  • Input: Input Impedance 1.8 M Ohms // 22 pF
  • Drive: Gain Range 40 dB
  • Engines: Lo: Type 2nd Harmonics Soft, Hi: Type Symmetrical 2-Stage with +18 dB Gain
  • Type: Thin/Normal/Deep Pre-Drive EQ
  •  Filter Section: Tone Filter: Type 6 dB/Oct. Low Pass. Frequency Range 700-20k Hz. Middle Filter: Type Bandpass Filter. Frequency Range 100 – 4.500 Hz. Q 1.2, Gain Range +/- 15 dB

Clean Channel:

  • Input Impedance: Parallel Mode 1.5 M Ohms // 44 pF, Serial Mode 10 M Ohms // 22 pF
  • Gain: Gain Range min/max -00/ +30 dB, Gain Peak LED +10 dBv, Frequency Response +0 / -3 dB 20 – 20.000 Hz

Character:

  • Filter Type: Shelving High/Low Pass
  • Gain: Lo +6 dB @ 80 Hz, Mid -2 dB @ 900 Hz, Hi +3 dB @ 7.5 kHz

Bright:

  • Filter Type Shelving: Gain +10 dB @ 10 kHz

Filter Section:

  • Bass Filter: Type 12 dB/oct. Shelving. Gain Range +/- 18 dB @ 60 Hz
  • Middle Filter: Type Bandpass Filter. Freq Range 50 – 5.000 Hz. Q -Boost 0.5 – 1.3, Q – Cut 0.5 >5. Gain Range +/- 12-15 dB
  • Treble Filter: Type Shelving. Gain Range +/- 18 dB @ 8 kHz
  • Comp/Limit: Comp Gain 0 Db. Attenuation Max 24 dB, Compression Ratio Max 3:1, Attack (80%) typ <10 ms, Release (80%) typ 100 ms

Related videos

Brand

EBS

EBS is a Swedish company specializing in high-quality bass amplification and effects pedals. Founded in 1988 by Bo Engberg and Mats Kristoffersson, EBS quickly became a respected name in the world of bass equipment, known for its robust, reliable products that cater specifically to the needs of bassists. EBS offers a wide range of products, including bass amplifiers, cabinets, and effects pedals, all designed to deliver clear, punchy, and powerful bass tones. Their pedals cover various effects, such as compressors, overdrives, choruses, and envelope filters, and are praised for their studio-quality sound and durable construction. EBS gear is widely used by professional bass players across various genres, from jazz and funk to rock and metal, making it a trusted brand in the bass community.

Category

Preamp & DI Pedals

A preamp brings an instrument signal to a controlled level and shapes its impedance, gain and frequency balance before amplification or recording. A DI converts the signal for a balanced, low-impedance connection and may include ground lift, pad and transformer isolation. Combined units can add drive, cabinet filtering, effects loops and parallel outputs while keeping the direct path stable.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

DIY Kit

Supplied as components and hardware to be assembled into a working pedal. Circuit complexity, board layout, enclosure preparation and off-board wiring set the difficulty, while accurate component values, polarity and solder joints determine the final noise, reliability and sound.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.