. The Radial Tonebone PZ-Pre Acoustic Pre-Amp is the ultimate toolkit for acoustic sound. This is the most powerful acoustic preamplifier put into a pedal making it perfect for guitars to violins mandolins to cellos and anything in between. And with two channels on board you can switch and blend your instruments at the touch…
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The Radial Tonebone PZ-Pre Acoustic Pre-Amp is in New condition and made by Radial , it is a great Tuner Pedal Preamp EQ Bass Acoustic Guitar Guitar Effect Pedal- . The Radial Tonebone PZ-Pre Acoustic Pre-Amp is the ultimate toolkit for acoustic sound. This is the most powerful acoustic preamplifier put into a pedal making it perfect for guitars to violins mandolins to cellos and anything in between. And with two channels on board you can switch and blend your instruments at the touch of a button More of the sound you want. And less unwanted noise. The Tonebone PZ-Pre ensures optimal signal integrity with phase alignment switch notch controls and ground lift. That means clear sound for all your instruments. Dial your tone with powerful EQ controls. Whether you need to scoop out the bass or emphasise your mids the power is right there at your fingertips The new standard for plug and play. With the Tonebone PZ-Pre its easy to connect post and pre DI signals to your PA and monitors. Connect to your tuner via the dedicated buffered output for silent operation on stage. All this and more from a pedal thats small enough for any setup. . Available from Just Pedals for only £ 430.32 Need a boost? If your acoustic instruments are equipped with a piezo pickup then you probably do. Thankfully the PZ-Pre is here to help. This powerful preamp gets its superior audio from 100% discrete class-A PZB boosters. That means ultra-quiet signal that’s adaptable to any type of pickup system. Quickly assign different functions to your boost switch for maximum flexibility. The PZ-Pre connects directly to your effects loop giving you total control of your instrument’s sound. Whatever you need you’ll get flawless sound for up to two instrument channels. Effortlessly switch and blend on stage in seconds. Your acoustic tone just got a huge upgrade. Features Switch or blend instruments with two channels on board Quickly eliminate feedback with notch and resonance filters Perfect for PA and monitors with Pre and Post radial DI outputs Simple control on stage via power booster and mute functions Add gain for solos with the 8dB boost knob Dial your tone thanks to a semi parametric 3-band EQ Total control of input volume level on each channel Eliminate phase issues with the reverse switch Assign boost effects loop or both to your boost switch with the footswitch toggle Tame unruly low frequencies with the three-position lo-cut filter Perfect for piezo equipped instruments thanks to the PZB-2 class-A booster Insert effects into the signal path via loop/send return Remove hum and buzz caused by ground loops with the lift switch Plug directly into your tuner via the dedicated 1/4” buffered output Rugged construction for damage-free transportation Compact design can be included in almost any pedalboard setup Specifications Inputs: 1/4″ Phone unbalanced Input Impedance: Normal 6.8k Ohm Piezo 10Meg Ohm PZB Buffers: +10dB boost Low-Cut Filter: 75Hz / 220Hz Notch Filter Range: 56Hz – 330Hz Notch Q: -8dB / -15dB Low EQ: Shelving type +/-12dB (75Hz) High EQ: Shelving type +/-12dB (7.5kHz) Mid EQ: Semi-parametric +/-12dB (82Hz – 5.6kHz) Power Boost: Unity gain to +12dB max. Effects Loop: 1/4″ Phone unbalanced Send 1k Ohm / Return 15k Ohm Switching: FET Switching Output (instrument): 1/4″ Phone unbalanced 1k Ohm output impedance Tuner Output: 1/4″ Phone unbalanced 6.8k Ohm output impedance Pre-EQ Output: XLR balanced 600 Ohm mic-level Post-EQ Output: XLR balanced 600 Ohm mic-level XLR Pin-Out: pin 1 ground pin 2 hot (+) pin 3 cold (-) Power Supply: 15VDC 400mA (included) center pin positive Dimensions: 203mm (W) x 108mm (D) x 35mm (H) Weight: 1.2kg
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Radial Engineering Ltd., commonly known as Radial, is a prominent manufacturer of audio equipment and accessories, including guitar pedals, direct boxes, signal processors, and audio interfaces. Founded in 1991 by Peter Janis, Radial has earned a reputation for producing high-quality, durable products designed to meet the demands of professional musicians, engineers, and audio technicians.
Among Radial’s lineup of guitar pedals, the Tonebone series stands out, offering a variety of effects pedals designed to enhance tone and performance. One notable pedal is the Radial Tonebone Classic distortion pedal, which delivers classic overdrive and distortion tones with versatile controls for shaping the sound. Additionally, Radial offers a range of other pedals, including boosters, compressors, and switchers, designed to provide musicians with reliable tools for achieving their desired sound.
In addition to pedals, Radial is known for its direct boxes, such as the popular Radial JDI passive direct box, which is widely used in professional recording studios and live sound applications for its transparent sound and robust build quality. With a commitment to innovation and quality, Radial continues to be a trusted name in the audio industry, offering a wide range of products designed to meet the needs of musicians and audio professionals worldwide.
Acoustic Guitar
“Acoustic Guitar” isn’t a typical guitar effects pedal type like distortion, delay, or reverb. Instead, it refers to the natural sound produced by acoustic guitars, which don’t require additional effects to be heard.
However, there are effects pedals designed specifically for acoustic guitars that can enhance or modify their sound in various ways. Here are some common types of effect pedals used with acoustic guitars:
Acoustic Preamp/DI: These pedals are designed to enhance the tone of an acoustic guitar when plugged into a PA system or amplifier. They often include EQ controls to shape the sound and may offer features like feedback suppression and phase inversion to mitigate issues commonly encountered when amplifying acoustic instruments.
Acoustic Simulator: These pedals are intended to make electric guitars sound like acoustic guitars. They emulate the resonance, tone, and dynamics of an acoustic instrument, allowing electric guitarists to achieve a more natural sound without switching guitars.
Reverb: Reverb pedals add ambiance and depth to the sound of acoustic guitars by simulating the reverberations of different spaces, such as halls, rooms, or studios. This can create a more spacious and immersive sound, enhancing the overall presence of the acoustic guitar.
Delay: Delay pedals produce echo effects by repeating the guitar signal after a set amount of time. When used subtly, delay can add depth and dimension to acoustic guitar playing, creating a sense of space and movement in the sound.
Chorus: Chorus pedals modulate the guitar signal to create a shimmering, chorus-like effect. When applied to acoustic guitars, chorus can add richness and thickness to the sound, mimicking the lush harmonics of multiple instruments playing together.
Compressor: Compressor pedals regulate the dynamic range of the guitar signal, evening out the volume levels between soft and loud notes. For acoustic guitars, compressors can help maintain a consistent level of volume and sustain, enhancing the overall clarity and presence of the instrument.
These are just a few examples of effects pedals commonly used with acoustic guitars. While acoustic guitars are often appreciated for their natural, unprocessed sound, effects pedals can be used creatively to enhance their tone and expand their sonic possibilities in various musical contexts.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
【Guitar Accessories】 – EQ Equalizer Tuner Tuner for acoustic guitar musical instrument is great accessories for acoustic guitars. With this preamplifier you spend less time with the operation of controls and more time with playing. 【Guitar Accessories】 – EQ Equalizer Tuner Tuner for acoustic guitar musical instrument is great accessories for acoustic guitars. With this preamplifier you spend less time with the operation of controls and more time with playing. 【Guitar Accessories】 – EQ Equalizer Tuner Tuner for acoustic guitar musical instrument is great accessories for acoustic guitars. With this preamplifier you spend less time with the operation of controls and more time with playing. 【Guitar Accessories】 – EQ Equalizer Tuner Tuner for acoustic guitar musical instrument is great accessories for acoustic guitars. With this preamplifier you spend less time with the operation of controls and more time with playing. 【Guitar Accessories】 – EQ Equalizer Tuner Tuner for acoustic guitar musi… read more
【EXCELLENT PERFORMANCE】The pickup bar receives the vibration when playing,the equalizer receives,processes and adjusts the audio signal,and the output end is connected to the audio equipment to output the audio.Sensitive piezoelectric sensors can collect sound quickly. 【3 IN 1 EQUIPMENT】Pickup,equalizer,tuner,3 in 1 equipment,convenient to connect the sound to the guitar speaker amplifier output.Powered by one 9V battery and with low battery indicator (battery is not included). 【TUNER】Built-in tuner with LED display,bass,middle.1,middle.2,treble and presence control knobs,fit your different needs.The LED display and three signal lights show the accuracy and deviation of the corresponding scale and tone. 【EASY TO INSTALL】Easy to install and operate,you can choose to install it in your preferred place.There are cushioning sponges behind the equalizer and output,to prevent the guitar and equalizer from bumping into each other. 【WIDE APPLICATION】Stylish appearance,compact design,no feedbac… read more
Application This 5 band pickup equalizer system can be easily installed in your acoustic guitar and it is essential to electrify and amplify their sound. Volume Control – It has real volume control so you can accurately determine the site and get the right sound. EASY TO USE – Comes with pre-wired for easy assembly. It has shape control and volume control, convenient to use. And the connection wire with 2.5mm plug included. Nice accessory: it is essential for your guitar's performance. Really change the mood and feel of a song or chord. Fine Workmanship: It gives you a comfortable touch thanks to its unique design. Advanced manufacturing process, durable for long time use.
Pre-wired for easy assembly. EQ 7545R pick-up equalizer system with 4 bands can be easily fitted into your acoustic guitar and it is essential to electrify and amplify their sound. Under the saddle pickup for acoustic guitar. 4 bands plus volume control. Supplied with a battery box, Low battery indicator.
It is very compact;It provides good sound and control the volume of the guitar without annoying noises Interval adjustable +- 12 db on the Bass,Middle,Treble and Presence LCD Monitor with tunning function Strong high sensitivity and great performance Can be easily fitted into your acoustic guitar,it is essential to electrify and amplify their sound
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