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Palmer MI Pocket Amp Bass Portable Preamp for Bass Guitars – New Palmer Guitar Effect Pedal

£126.25

The Palmer MI Pocket Amp for Bass is a multi-purpose effects pedal and preamp that provides extensive sound shaping options for active and passive bass guitars. This versatile unit is ideal for gigging and recording and also features a headphones output for quiet play-along practising. Its equipped with clean overdrive and fuzz modes with adjustable…

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Description

The Palmer MI Pocket Amp Bass Portable Preamp for Bass Guitars is in New condition and made by Palmer , it is a great Guitars Bass for Preamp Portable Bass Amp Pocket MI Palmer Guitar Effect Pedal- The Palmer MI Pocket Amp for Bass is a multi-purpose effects pedal and preamp that provides extensive sound shaping options for active and passive bass guitars. This versatile unit is ideal for gigging and recording and also features a headphones output for quiet play-along practising. Its equipped with clean overdrive and fuzz modes with adjustable drive and saturation and a 3-band EQ with semi-parametric mid control. This preamp also includes vintage or modern cabinet simulation that is especially voiced for Bass guitars as well as a sturdy footswitch for mute or bypass control. . Available from Just Pedals for only £ 126.25 Multi-purpose pedal The Palmer MI Pocket Amp is a portable preamp for bass guitars complete in a compact footswitch unit. It has been especially designed to accommodate both active and passive bass guitars providing a full host of extensive sound shaping options. The versatility of this unit is incomparable to any other effects pedal and can be used in any environment including gigging jam sessions recording and private practising. Full of fantastic features The Palmer MI Pocket is not only capable of functioning as a Bass preamp but is also equipped with clean overdrive and fuzz modes with adjustable drive and saturation. Other features include a full EQ with semi-parametric mid control that has been especially tuned for bass guitars and vintage or modern cabinet simulation for the optimum sound. A dedicated blend control allows you to switch between a wet and dry mix enabling a unique sound. Extra applications The Palmer MI Pocket Amp is jam packed full of features that allow you to play and hear your bass guitar anywhere despite its compact size. Equipped with a full host of different inputs and outputs the unit allows for external effects pedals to be added. There is also 3.5mm stereo line input and headphones output which allows you to practice in silence. The unit also allows for DI applications and includes an XLR output. This versatile preamp requires a 9 volt battery or power adapter (not included) to power it. Specifications Product type:Effect Type:Guitar effect pedals Technology:Solid state Power:n.a. W Inputs:2 Input connectors:6.3 mm Jack Input impedance:1 Ohm(s) Outputs:4 x Output connectors: XLR 3.5 mm jack 2 x 6.3 mm TS Output impedance: TRS 10000 XLR 510 Ohm(s) Channels:1 Indicators:Peak signal on/off Controls:Volume Pre/Post mute mid frequency mode input pad Mid highs ground lift Drive Bass bypass FX loop: yes Operating voltage: 9 – 12 V DC 9 V block Cabinet material:Die-cast aluminium Width:100 mm Depth:100 mm Height:55 mm Weight:0.36 kg

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About Palmer

We have one of the largest online selection of new and used Palmer music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Palmer is a German company specializing in professional audio equipment, including guitar and bass gear, studio tools, and live sound solutions. Founded in 1980, Palmer is well-regarded for its innovative approach to audio engineering, particularly in the realm of guitar amplifiers and speaker simulators.

Their product lineup features a range of effects pedals, amp switches, and direct boxes, known for their durability and high performance. Palmer’s speaker simulators, such as the Palmer PDI series, are especially popular for their ability to capture authentic cabinet tones without the need for a physical speaker cabinet.

The company’s gear is designed to deliver reliable, high-quality sound for both studio and live applications, making it a trusted choice among professionals in the music industry.

Amp

An amp pedal, often referred to as an amp simulator pedal or amp modeling pedal, is a type of effects pedal designed to emulate the sound and characteristics of various guitar amplifiers. By using digital or analog processing, these pedals replicate the tonal qualities, gain stages, and tonal response of different types of amplifiers, such as vintage tube amps, high-gain modern amps, or classic solid-state models.

Amp pedals are typically used to shape a guitarist’s tone without needing to rely on multiple physical amplifiers. They offer a range of preset or adjustable sounds that mimic the effects of different amp types, including their distinctive overdrive, distortion, and EQ settings. Some amp pedals also include additional features like cabinet simulations, which mimic the sound of different speaker cabinets, and built-in effects like reverb and delay. This makes them a versatile tool for achieving a variety of tones and sounds, whether in a practice setting, recording studio, or live performance, providing convenience and flexibility in a compact form.

Bass

In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.

Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.

Guitar Effect Pedal

A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.

New

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Preamp

A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:

1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.

2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.

3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.

4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.

5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.

6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.

Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.

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