The NUX NDD-6 Duotime Dual Delay Engine packs expansive echo and delay into a compact pedal to easily add depth to your tone. Choose between five independent delay types: Analog Tape Digi Mod. and Verb- these give you a remarkable level of versatility along with an expansive control layout allowing you to fine-tune to perfection. Use the tap tempo footswitch to quickly dial-in your exact delay requirements. This allows you to quickly sync your delay to your surroundings for instant optimisation. The true stereo design realises your delay in impressive fashion giving you the potential to add an extra dimension to your sound. Just select which mode suits you best use the detailed controls to fine-tune to exactly your specs set the tempo with the dedicated tap tempo footswitch and youre away! Immaculate delay with a whole host of tones on tap and serious adaptability- a delay tookit.
NUX NDD-6 Duotime Dual Delay Engine
This is a New NUX NDD-6 Duotime Dual Delay Engine from NUX, listed in Delay Pedals on Just Pedals. Read More below.
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Brand
NUX
In the current JustPedals catalogue, NUX is represented by Multi-Effects Pedals, Overdrive Pedals and Delay Pedals. Current listings include Analog Delay, Plexi Crunch and Analog Chorus. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Delay Pedals
Delay pedals repeat the input after a set time, from a short slapback to long ambient trails. Feedback controls how many repeats continue; filtering, modulation, saturation and mix shape their tone and prominence. Tap tempo can keep rhythmic delays aligned with a song, while presets and MIDI help when several timings are needed. Analogue, tape-style and digital designs respond differently to transients and overload. Check maximum delay time, spillover, stereo routing, trails and headroom before choosing a model for the rest of the board.
Tags
Analogue
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
Stereo
Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.
Tap Tempo
Tap tempo lets a player set delay, modulation, tremolo or looper timing by tapping a footswitch. The implementation may be a dedicated switch, an external input, MIDI clock or a combination, and the supported timing divisions vary. Check whether the tempo is stored, whether tap is momentary or latching, how quickly the effect follows changes and which blocks respond. Tap tempo is useful only when the control connection and timing range match the workflow.
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