NUX 6ixty 5ive Overdrive Pedal

£39.99

This is a New NUX 6ixty 5ive Overdrive Pedal from NUX, listed in Overdrive Pedals on Just Pedals. Read More below.

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The NUX 6ixty 5ive Overdrive Pedal emulates the classic tones of the 60’s, putting the power a flaming tube amplifier on your board. NUX have created an analogue circuit for you to discover and experience a true rock and roll tone. Taking inspiration from the Vemuram Jan Ray overdrive pedal, the 6ixty 5ive gives you that sharp sustain and natural breakup, allowing you to increase the amount of saturation by adjusting the Trim pot in the top.  By adjusting the Level, Gain, Bass, Treble Knobs you can easily carve the tone you are looking for, whether you can a naturally sounding clean tone, or a crunchy overdriven sound to shake the walls.

Key Features

  • Trim Pot Adjustment – Controls the amount of saturation in your tone and naturally compresses the sound to emulate classic tube amplifiers.
  • True-Bypass Switching – Making it easy for you to fit onto your pedalboard and within a chain of stompboxes.
  • Analogue Circuit – A true replica of the classic Jan Ray overdrive pedal at an accessible price.

Specifications

  • Input Impedance: 1MΩ
  • Output Impedance: 1kΩ
  • Dynamic Range: 104 dB
  • DSP Processing: 48KHz / 32-bit
  • A/D D/A Sampling Rate: 48KHz / 24-bit
  • Power: 9V DC (Negative tip, Optional ACD-006A adapter)
  • Current Draw: less than 120mA
  • Dimension: 121mm (L) x 77mm (W) x 48mm (H)
  • Weight: 0.23kg

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Brand

NUX

In the current JustPedals catalogue, NUX is represented by Multi-Effects Pedals, Overdrive Pedals and Delay Pedals. Current listings include Analog Delay, Plexi Crunch and Analog Chorus. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.