The Laney Digbeth DB-PRE is designed to give you complete freedom to deliver your iconic bass tone wherever you need to go. There are both FET & Tube signal paths with incredible tone shaping capabilities. A three-band EQ offers effortless adjustment of the bass guitars bass levels mids and treble. This is partnered with a…
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The Laney Digbeth DB-PRE Bass Preamp is in New condition and made by Laney , it is a great Looper EQ Boost Guitar Effect Pedal – The Laney Digbeth DB-PRE is designed to give you complete freedom to deliver your iconic bass tone wherever you need to go. There are both FET & Tube signal paths with incredible tone shaping capabilities. A three-band EQ offers effortless adjustment of the bass guitars bass levels mids and treble. This is partnered with a TILT EQ function to provide an easy efficient method of switching useful for cutting through a live band situation. It allows you to easily decrease the lows to give the bass tones more presence or alternatively boost the low presence and dampen the highs of the sound. A designated FX loop means that you can place effects in specific locations along the signal path for complete control. . Available from Just Pedals for only £ 149 Free tonal sculpting Tonal shaping is key with a bass pre-amp and Laney have ensured that all avenues are available to be explored. The three-band EQ offers complete sound sculpting allowing you to really dial up those lows for a thicker rich bassline or increase the treble to give you that punchy snap to your driven bass tones. A Tilt EQ function with SEE SAW EQ provides the perfect device to add the finishing touches. Ideal for any genre two select pre-amp options allow you to either deliver crushing Tube amp goodness or stable cleans with the FET channel. All of this results in an easily adjustable versatile bass pre-amp perfect for every genre. Gig-ready set-up The Laney Digbeth DB-PRE is designed for the travelling musicians packing in a lot of power within a compact portable package. Weighing in at 0.75kg and taking up very little room within the rig this pre-amp fits in perfectly with any bassist’s setup. A designated FX loop allows you to efficiently attach your other pedals in your sequence which means you can accurately position your effects creating unique and nuanced tones. A full metal chassis ensures that the pedal is gig-ready and durable so you can use it without worrying about damaging the unit. Complete connectivity This pre-amp pedal offers an abundance of connectivity options for a multitude of setups and devices. Practise in peace with a designated aux in letting you play the track you’re learning through your amplifier. Alternatively the DB-PRE also comes with a headphone out jack allowing you to practise without disturbing other people freeing you up to really crank up the volume. A designated DI output makes recording a whole lot easier as you can directly connect your bass to the desk allowing you to send the signal before or after it has passed through the EQ. This is topped off with a ground lift switch removing all the rumble and hum from the signal to ensure a vastly clearer tone. Specifications Product: BASS PREAMPLIFIER Product Code: DB-PRE:N Input Impedance (Passive): 1MΩ Input Impedance (Active): 100KΩ Output Link Impedance: 1KΩ Output Impedance: 1KΩ Aux Input: 3.5mm TRS Jack (4.7KΩ Input Impedance) Aux Phones: 3.5mm TRS Jack (100Ω Output Impedance) FX SEND: 6.35mm TS Jack -10dBV 1KΩ FX RETURN: 6.35mm TS Jack 22KΩ D.I. Ouput: XLR nominal -20dBV 680Ω Noise Level: (20 20KHz Filter) Freq Response Bypassed: 20-20KHz (+/- 0.5dB) Rec Min Load Impd: 10KΩ Power Supply: Regulated 9V DC PSU centre negative 2.1×5.5x10mm connector type. (Not Included) Current Consumption: 100mA Unit dimensions (HWD): 57 x 145 x 122 mm Unit weight: 0.75Kg Carton dimensions (HWD): 93 x 201 x 191 mm Packed weight: 2Kg
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Laney Amplification is a British manufacturer of guitar and bass amplifiers, known for their rich heritage, innovative designs, and powerful sound. Founded in 1967 by Lyndon Laney, the company has a long history of providing musicians with high-quality amplification solutions for both live performance and studio recording.
Among Laney’s product lineup, their guitar amplifiers stand out as some of the most respected and sought-after in the industry. From classic tube amplifiers like the Lionheart and the Supergroup to modern digital modeling amps like the Ironheart and the Black Country Customs series, Laney amplifiers offer musicians a wide range of tones and features to suit different playing styles and preferences.
In addition to guitar amplifiers, Laney produces a variety of bass amplifiers, speaker cabinets, and audio accessories, designed to meet the needs of bassists in any musical genre. The company’s commitment to quality craftsmanship and innovation has made Laney a trusted choice for professional musicians and enthusiasts alike, providing reliable amplification solutions that deliver powerful sound and exceptional tone.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Looper
A looper pedal is a versatile tool used by guitarists to record and playback musical phrases in real-time. It allows musicians to layer multiple parts, create loops, and build entire arrangements on the fly. Looper pedals come in various configurations and offer different features, but they typically include the following functionalities:
1. **Recording**: A looper pedal enables users to record a musical phrase by pressing a dedicated footswitch. Once the recording is initiated, the pedal captures the incoming audio signal from the guitar or other instrument and loops it back continuously.
2. **Playback**: After recording a loop, the looper pedal plays back the recorded audio continuously in a seamless loop. This allows musicians to accompany themselves or create layered arrangements by adding additional musical parts on top of the original loop.
3. **Overdubbing**: In addition to recording and playing back loops, looper pedals often feature overdubbing functionality, which allows users to layer additional recordings on top of existing loops. Musicians can continuously add new musical parts to the loop, building up complex arrangements in real-time.
4. **Undo/Redo**: Many looper pedals include an undo/redo function, which allows users to remove the last recorded overdub or restore it if needed. This feature provides flexibility and allows for experimentation during live performances or recording sessions.
5. **Stop/Clear**: Looper pedals typically include a stop/clear footswitch that allows users to stop playback and clear the recorded loop from memory. This enables musicians to start fresh with a new recording or transition to a different musical section during a performance.
6. **Loop Length Control**: Some advanced looper pedals offer the ability to control the length of the recorded loop. Users can specify the length of the loop in measures or seconds, allowing for precise control over the timing and structure of the looped arrangement.
7. **Built-in Effects**: Some looper pedals feature built-in effects such as reverse playback, half-speed playback, or pitch shifting, which can add creative possibilities and sonic experimentation to the looping process.
Looper pedals are widely used by guitarists and other musicians for various applications, including live performance, songwriting, practice sessions, and studio recording. They provide a convenient and intuitive way to create, layer, and manipulate musical ideas in real-time, making them an essential tool for creative expression and musical exploration.
New
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15W of huge Laney tone through twin 5" loudspeakers 3-Band EQ for tonal sculpting Great punch from the onboard compressor Hitting the on board SHAPE switch allows you to kick in some serious high mid boost Jam along to your backing tracks via the mini-jack aux in
3 Modes of selectable intervals : +1 OCTAVE UP, -2 OCTAVES DOWN & PERFECT 5TH UP. Transparent fully buffered operation at all times Silent switching Excellent consistent load for passive volume pedals Solid metal chassis construction
Features a dual channel design with a choice of balanced XLR and unbalanced 1/4" jack inputs, allowing both instrument and microphone use 3-band EQ to shape your tone alongside a reverb and chorus effects section providing increased versatility A switchable Anti-Feedback control is a very useful feature to eliminate problems caused by hollow-body guitar resonance at louder volumes Two 6" dual-cone drivers mounted on a ported cabinet for extended bass response Professional DI allows you to send a direct-feed to the mixing desk for live gigs
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