Electro Harmonix Oceans 12 Dual Stereo Reverb Pedal

£219.00

On the menu for January 2026 are the Electro Harmonix Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Electro Harmonix Guitar Pedals today.


Spread the love

Description

Spread the love

On the menu for January 2026 are the Electro Harmonix Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Electro Harmonix Guitar Pedals today.

Unlike the movie it shares a name with, the Electro-Harmonix Oceans 12 expands and improves the formula of its predecessor. With 29 reverbs ranging from classic to unconventional, dual reverb engines for separate or simultaneous reverbs in series or parallel, and full stereo functionality, the Oceans 12 offers expansive reverbs with a high degree of control over the shape and character of those sounds.

29 Reverbs

With a name like Oceans 12, you'd expect there to be at least one more reverb sound than the Oceans 11.  In fact, with an extra reverb type and multiple modes per type, the Oceans 12 packs in 29 distinct sounds! You don't just get 29 sounds in isolation either, with 2 reverb engines you can use them individually or combine two of them in series or parallel for richer and more complex sounds.

From traditional to experimental, the Oceans 12 has reverb to suit every style. On the more conventional end are the Room, Spring, Plate, Echo, and Trem types which offer vintage sounds and can add subtle life to your tone. All the reverb types in the Oceans 12 have 2 or 3 modes which change the character of the reverb for a different sound.

Moving into more modern and experimental territory are the Mod, Reverse, Dyna, Auto-Inf, Shimmer, and Polyphonic modes which are great for shoegaze and ethereal, ambient-sounding styles. These modes feature reverbs that can, fade in reverse, mix chorus and flange sounds, utilise experimental reverb algorithms, octave-shift, and pitch-shift. From these modes you can get wild, out-of-this-world sounds, taking you into less-familiar sonic territory.

New to the Oceans 12 is the Resonant reverb type which gets its character from tuneable resonators and has reverb tails affected by configurable self-oscillating filters.

Controls and Functionality

As the number of reverbs has increased, so has the control and functionality. The main feature here is the stereo functionality of the Oceans 12. With the I/O you can run the pedal in stereo, or as mono with a mono send/return (pre or post reverb optional). There's also an expression pedal/footswitch jack for further expanding the functionality of the pedal.

You still get the FX Level, Time, and Tone controls for shaping your core sound, but you also get a Predelay for adjusting the time between your dry sound and the reverb sound, a Lo-Fi control, and an INF Level for controlling infinite attenuation. With stereo functionality comes stereo controls with a Send Level control, and a Tide Control for adjusting the stereo imaging. In addition, there's a Tails button that allows you to switch between a hard cutoff or natural decay when you bypass the pedal.

Reverb Types

  • ROOM – two modes: Lively room and spacious performance hall
  • SPRING – two modes: vintage 1962 Fender® 6G15 tube reverb emulation and the algorithm from the EHX Holy Grail pedal
  • PLATE – two modes: 60s and 70s studio-style metal plate reverbs
  • REVERSE – two modes: reverse-fade reverb and reversed echoes
  • ECHO – three modes: digital delay with various echo rhythms
  • TREM – three modes: volume envelope with different shapes
  • MOD – three modes: combinations of chorus and flange reverbs that create rich reverb tails
  • DYNA – three dynamic, experimental reverb algorithms: swell, gate and duck
  • AUTO-INF – three modes: auto-infinite reverb with optional chorus or flange (new reverb starts when a new note is struck)
  • SHIMMER – two modes: octave-shifted reverb wash
  • POLYPHONIC – two modes: configurable bi-directional pitch shifts
  • RESONANT – two modes: reverb from tunable resonators with reverb tails affected by configurable self-oscillating filters

Specifications

  • 2 simultaneous, independent, stereo reverb engines
  • Series and parallel control for the dual reverbs
  • 24 presets
  • Stereo in/out or mono send/return with pre and post reverb options
  • Tide Control for stereo image alteration
  • Lo-fi Control
  • Infinite attenuation control
  • Tap tempo to set your pre-delay time, echo time and more
  • Input jack for external expression and 3-button footswitch control
  • Equipped with a standard EHX 9.6DC200mA power supply

Additional information

Weight 0.5 kg

Brand

Electro Harmonix

Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.

EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.

Category

Guitar Pedals

Tags

Chorus

Delay

A delay pedal records your signal and plays it back after a set time, creating echoes that can range from tight, slapback repeats to long, atmospheric trails. It’s one of the most versatile effects, used to thicken tones, add rhythmic depth, or build spacious, ambient layers. Analogue delays offer warm, decaying repeats that blend naturally with your tone, while digital units provide pristine echoes with precise control over time, feedback, and mix levels.

From classic rockabilly and tape-style echoes to modern looping and shimmer effects, delay pedals have become essential tools for shaping sound. They can make solos soar, rhythms pulse, or transform simple chord progressions into cinematic textures. Whether used subtly to add dimension or boldly to create soundscapes, a good delay pedal can completely redefine the feel and atmosphere of your music.

envelope filter

Expression

Expression pedals allow real-time control over specific parameters on compatible guitar pedals, such as volume, delay time, modulation depth, or filter sweep. Used with an expression input, they let players shape effects dynamically with their foot, adding movement and performance control that cannot be achieved with fixed knob settings.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

noise gate

Octave

An octave pedal shifts your guitar signal up or down by one or more octaves, blending the altered pitch with your original sound to create a fuller, more complex tone. It can add a deep, bass-like layer underneath your playing or a shimmering high octave on top for lead lines and solos. Classic analogue octave pedals often produce slightly gritty, organic sounds, while modern digital versions track more precisely and can offer multiple octave ranges.

Octave pedals are great for thickening single-note riffs, creating synth-style textures, or even mimicking bass parts when playing alone. They pair well with fuzz or overdrive pedals for massive, harmonically rich tones. Whether you’re after vintage Hendrix-style octave fuzz or a modern polyphonic sound that tracks chords cleanly, an octave pedal opens up a world of creative possibilities and adds real weight and character to your tone.

Pitch

Pitch pedals alter the frequency of your guitar signal, changing the perceived note or adding harmony. They can shift notes up or down by fixed intervals, create harmonies, or produce dive-bomb and whammy-style effects without a tremolo arm. Pitch shifters and harmonisers are great for thickening solos, simulating multiple guitars, or experimenting with creative, otherworldly sounds that expand your tonal range.

Reverb

A reverb pedal is like the rich sauce that ties every flavour on the plate into one smooth experience. It adds depth, warmth, and atmosphere — the sonic equivalent of a perfectly reduced glaze that lingers on the tongue. Whether you’re after the subtle ambience of a cosy café (spring or plate reverb) or the grand echoes of a cathedral (hall or shimmer reverb), this is where your tone breathes and expands. A touch of reverb can turn a dry sound into something lush and inviting — but pour on too much, and it’s all you can taste. Used with finesse, it’s the finishing touch that transforms your tone from plain to unforgettable.

Volume

Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals.

Available for Amazon Prime