The Boss SY-200 Guitar/Bass synthesizer pedal opens up a whole new sonic landscape to explore. Ever wished that you could turn your guitar or bass into a synth? Well good news now you can. With 171 analogue-style tones you arent short of synth goodness – all are fully customisable thanks to three dials controlling the tone resonance and depth allowing you to discover without limits. In addition to the 171 total sounds you have 128 memory slots for storing your crazy creations. Effortlessly blend the synth sound with your normal sound thanks to independent level control dials. Versatile and vastly customisable Boss have created a fantastic synth that is compact portable and easily playable its a must have for any guitarist looking at delving into the world of synths.
Boss SY-200 Guitar/Bass Synthesizer Pedal
This is a New Boss SY-200 Guitar/Bass Synthesizer Pedal from Boss, listed in Synth Pedals on Just Pedals. Read More below.
As an affiliate partner, we may earn a small commission when you buy through our links — at no extra cost to you.
Related videos
Brand
Boss
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
Category
Synth Pedals
Synth pedals generate or heavily reshape an instrument signal into oscillator-like tones, envelopes, filters, sequenced textures or other electronic voices. Some analyse the pitch and trigger a synthesiser; others process the waveform directly, so tracking, trigger behaviour, playing technique and latency can differ sharply. Controls may cover oscillator mix, filter cutoff, resonance, envelope, octave, glide, dry blend and presets. Monophonic units often respond best to clean single-note playing, while polyphonic designs handle chords differently. Check the input assumptions and control options before expecting a synth pedal to follow every guitar part.
Tags
Analogue
Uses continuous analogue circuitry for some or all of the audio path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. Check the exact signal path.
Bass
Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.
- Electro-Harmonix PICO DEEP FREEZE Sound Retainer / Sustainer (EHX Demo by JON SKIBIC)
- Electro-Harmonix SPRUCE GOOSE Overdrive (EHX Demo by TOM BURDA)
- Electro-Harmonix Octavix Octave Fuzz Pedal (Demo by Bill Ruppert)
- Electro-Harmonix Superego+ Synth Engine / Multi-Effect Pedal (Demo by Bill Ruppert)
- EHX Pico Series! Classic Pedals In a Micro Format!
- Electro Harmonix Pedals You Have Never Heard Of













