Boss ML-2 Metal Core Effects Pedal

£125.50

This is a New Boss ML-2 Metal Core Effects Pedal from Boss is in our Specialist Effects Pedals category on Just Pedals. Read More below.

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The Boss ML-2 Metal Core Effects Pedal finally offers the grinding thick distortion that is so necessary for metal. Many metal distortion pedals simply offer an excessive amount of gain and slap the metal moniker on the pedal- not the ML-2. This pedal has been designed with the sole intention of being heavier and fatter than any distortion pedal previously and that includes more than just increasing the gain. The tone and attack of the whole pedal has been shaped to be razor sharp to cut through even the most congested mix with ease the tone control is incredibly responsive however and its possible to dial this back all the way for sludgier doomier tones. Of course the ML-2 does have gain on tap and can get ridiculously hot at higher levels but its the attention given to the rest of the design being tailored just to metal players and heavier musical styles that makes the ML-2 so special

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Brand

Boss

BOSS began in Osaka in 1973 as MEG Electronics, a company dedicated to effects. Its first BOSS-branded effect was the CE-1 Chorus Ensemble in 1976; the OD-1, SP-1 and PH-1 launched the compact-effects series in 1977. The JustPedals catalogue includes familiar overdrives and distortions such as the OD-3, SD-1, BD-2, DS-1 and MT-2 Metal Zone, as well as utility items such as the PCS-20A cable. BOSS now spans compact pedals, multi-effects, loopers, tuners and controllers. Manufacturing origin should be checked by model rather than inferred from the brand’s Japanese history.

Category

Specialist Effects Pedals

Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.