Total control over your keyboards and effects units. The Boss FV-50L Low Impedance Volume Pedal is designed to make controlling the volume of your stereo instruments easy. Compatible with a huge range of instruments including keyboards effects units and more its responsive compact and easy to use. Plus with extra features including a tuner out jack for quick and simple tuning its superbly functional too. And theres a volume knob that lets you set your ideal minimum volume for your performance. Take the hassle out of altering your volume on-stage.
Boss FV-50L Low Impedance Volume Pedal
£83.20
This is the Boss FV-50L Low Impedance Volume Pedal from Boss, listed in Volume Pedals on Just Pedals. Read More below.
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Brand
Boss
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
Category
Volume Pedals
A volume pedal places a foot-controlled attenuator in the audio path, varying level without changing the instrument itself. Potentiometer value and active or passive design determine impedance compatibility, sweep shape and high-frequency retention. Placement before gain changes both loudness and distortion response; placement later behaves more like a master level. Minimum-volume, tuner and stereo connections extend the basic function.
Tags
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
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