Ampeg Classic Analog Bass Preamp Pedal – New Ampeg Preamp Bass Analogue Guitar Effect Pedal
£89.00
The Ampeg Classic Analog Bass Preamp Pedal offers an extensive range of analogue effects and tones like having a selection of Ampeg amps to choose from. Featuring a range of controls to give you excellent tone shaping capabilities both onstage and in the studio this preamp will help you take your performance to new heights.…
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The Ampeg Classic Analog Bass Preamp Pedal is in New condition and made by Ampeg , it is a great Preamp Bass Analogue Guitar Effect Pedal- The Ampeg Classic Analog Bass Preamp Pedal offers an extensive range of analogue effects and tones like having a selection of Ampeg amps to choose from. Featuring a range of controls to give you excellent tone shaping capabilities both onstage and in the studio this preamp will help you take your performance to new heights. The pedal also possesses ultra-lo and ultra-hi circuits to offer a wide range of authentic Ampeg tones. Built to provide the best of Ampeg tones at a price more affordable than others like it the Classic Analog Bass Preamp is the perfect pedal for players wanting that Ampeg sound. . Available from Just Pedals for only £ 89 A range of tones The Ampeg Classic Analog Bass is a preamp pedal which delivers a wide range of authentic tones that can either complement your sound or come to define the sound of your entire rig. Versatile and intuitive you can use the classic 3-band tone stack and volume to alter your sound on stage at home or in the studio with a minimum of fuss. Manufactured to an industry standard with passion and care the ultra-hi and ultra-lo circuits showcase the quality of the internal components of this preamp pedal for enhanced versatility. Built by the best The Ampeg Classic Analog Bass Premp is built not only to sound great but also to last. Featuring a true bypass which works to retain the natural sound of your guitar at all times – even when the pedal is disengaged. The analogue design and incredible signal-to-noise ratio further improves the sonic capabilities of the Ampeg Classic. Finished with an all-metal chassis construction you can be sure that all of these fantastic industry standard components are well protected and ready to survive the wear-and-tear of life on the road. Specifications Chassis: Metal Input: 1/4″ Jack Output: 1/4″ Jack Power Supply: 9V DC (Not Included) Controls: Mid Volume Bass Treble Ultra Lo Ultra Hi Bypass Footswitch
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Yamaha Guitar Group, Inc. (YGG) acquired the Ampeg brand in 2018—bringing it under the same roof as Yamaha basses/guitars/amplifiers and digital innovators Line 6. Honouring 70+ years of celebrated Ampeg history and the 50th anniversary of the amplifier that put Ampeg on the rock ‘n’ roll map, the first thing developed by YGG was the Heritage 50th Anniversary SVT, a product that quickly became one of the most requested amplifiers amongst touring artists and backline companies.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Delivers a wide range of authentic Ampeg tones Classic 3-band tone stack plus volume Ultra-Hi and Ultra-Lo circuits for tonal flexibility True bypass, analog design with incredible signal-to-noise ratio Roadworthy all-metal chassis construction
One-Stop Gig Solution for Bass Players with Main Effects needed Analog Preamp with 3-Band EQ recreates the Legendary Ampeg Style Tone, from Dynamic Clean to Classic Rock Bass Sound Compressor, Boost, Fuzz Modules ready for Most Common Use in Bass Playing Scenes Octave Module Produces Notes One and Two Octaves Lower along with the Direct Signal for the Massive Thickness or Treble Tricky with some High Frets Tracking XLR Output for directly connecting to PA, Mixer or Audio Interface; FX Loop for Hooking up other Effects
Analog Preamp, comp and Overdrive bass effect pedal Classic optical compressing sound, 3-band EQ with PRE/POST selection for enhancing and shaping your bass tone High impedance input and XLR balanced output Special Design Buffer Bypass Circuit Keeps the Sound Pristine Working with 9V Center Negative Regular Pedal Power Supply(not included)
Authentic v-tone modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between Provides a truckload of great amps in a single stomp box—from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units Presence control for definition and upper harmonics plus ultra-musical 2-band eq specifically tuned for bass guitars Output available on ¼' ts or balanced, gold-plated xlr connectors Runs on nine v battery or the behringer psu-sb dc power supply (not included)
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