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Coppersound Pedals is a boutique pedal company based in Easton, Pennsylvania, USA, known for its distinctive and handcrafted effects pedals. Founded by Alex Guaraldi in 2016, Coppersound Pedals has quickly gained recognition for its innovative designs, attention to detail, and commitment to quality craftsmanship.
One of Coppersound Pedals’ most notable creations is the Telegraph Stutter, a unique effects pedal designed to emulate the sound of a telegraph key. The Telegraph Stutter allows musicians to create rhythmic staccato effects by momentarily cutting off their guitar signal, producing dynamic and expressive rhythmic patterns.
In addition to the Telegraph Stutter, Coppersound Pedals offers a range of other effects pedals, including overdrive, distortion, modulation, and delay pedals. Each pedal is meticulously handcrafted using high-quality components and features intuitive controls, allowing musicians to easily dial in their desired tones.
Coppersound Pedals has gained a loyal following among musicians and collectors for its innovative designs, exceptional sound quality, and attention to detail. With their dedication to craftsmanship and creativity, Coppersound Pedals continues to push the boundaries of what is possible in the world of guitar effects pedals, inspiring musicians to explore new sonic territories.
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A boost pedal does one simple thing brilliantly — it makes your signal louder, stronger, and more alive. Whether you’re pushing a valve amp into natural breakup, lifting a solo above the band, or adding a touch more presence to your core tone, a clean boost gives you extra headroom without changing your character.
Use it at the front of your chain to drive other pedals harder, or after your gain stages to raise volume without adding distortion. Subtle or powerful, transparent or slightly coloured, a boost is one of the most useful tools on any pedalboard — small box, big difference.
A fuzz pedal is one of the earliest and most aggressive forms of distortion, turning your clean guitar signal into a thick, saturated wall of sound. It works by clipping the waveform almost flat, creating a compressed, gritty tone full of harmonic overtones. The result is raw, unruly, and unmistakable — from the sputtering breakup of vintage germanium circuits to the searing sustain of modern silicon designs. Fuzz pedals react strongly to your guitar’s volume and pickup choice, making them dynamic tools for expressive players.
Whether you’re chasing the classic tones of Hendrix and the Smashing Pumpkins or exploring heavy, experimental textures, fuzz remains a favourite for its personality and unpredictability. It can sound smooth and sustaining, or wild and velcro-like, depending on how it’s set up. A good fuzz pedal cuts through the mix while adding thickness and attitude, turning any riff or lead line into something bold and unmistakably alive.
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Like a golden layer of melted cheese — warm, gooey, and just put it all over. It adds just the right amount of richness and grit, turning a clean signal into something smooth and savoury. Designed to mimic the natural breakup of a tube amp pushed to its sweet spot, overdrive delivers the flavour of classic rock and blues in every bite. From creamy mid-gain warmth to crisp edge-of-breakup sparkle, it’s the comfort food of guitar tone — simple, satisfying, and endlessly versatile. Whether it’s a mild crunch or a full-bodied roar, overdrive is where good taste begins.
Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals.
