Neunaber Illumine Reverb Pedal

£449.00

This is a New Neunaber Illumine Reverb Pedal from Neunaber, listed in Reverb Pedals on Just Pedals. Read More below.

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Here's what Neunaber say about the Illumine Reverb Pedal

Illumine packs 17 studio-quality reverbs, 50 presets, MIDI and powerful expression control in a low-power, pedalboard-friendly package with top jacks. Regardless of your instrument or style of music, Illumine has the flexibility and tone you desire. Your creativity is the only limit.

Key Features

  • 17 stellar stereo reverb effects – cover all of your reverb needs.
  • 50 professionally-crafted factory presets – for superb tones right out of the box.
  • 50 user presets – to customize and save your favorite settings.
  • MIDI input & thru/out – Controller mode replaces a simple MIDI controller.
  • Powerful, flexible expression control engine – Use an external expression pedal or the built-in A/B switch with adjustable transition times.
  • Analog dry signal – for low noise and zero latency maintains the integrity of your source tone.
  • Adjustable gain structure – works with instrument or line-level inputs.
  • High contrast, wide viewing angle display – easy to read from a distance.
  • Small footprint with top jacks – easy to incorporate into your pedalboard.
  • Stereo in & out – Connect stereo outputs for a huge, immersive sounding reverb.
  • Power with a standard 9V @ 100mA – No need to run a separate power adapter or free up a high-current power port.
  • Made in the USA – in Orange County, California. Family owned and operated, Neunaber Audio is dedicated to bringing you the highest quality audio effects on the market.

Effects

  • Wet Plugin — As close to the Neunaber Wet Reverberator software plugin we can get in pedal form. Open sound.
  • Wet v3 — Same as the popular W3T effect in the Immerse Mk II.
  • Wet v1 — The original reverb from the Wet Stereo Reverb pedal. Like all of the Wet Reverb algorithms, it is known for its open, natural sound, which complements the source signal without masking it.
  • Plate – Bright and diffuse like a studio plate reverb.
  • Hall – Emulating the sound of a well-designed concert hall, this reverb is large and expansive.
  • Vintage Digital – Designed in the style of a vintage rack unit, this reverb sounds diffuse and synthetic, but not metallic like a plate.
  • Spring – A spring reverb consists of springs suspended between transducers, and its sound has a distinctive “twerp.”
  • Shimmer – Reminiscent of a synth pad that follows what your instrument plays, this is version 2 of our shimmer reverb algorithm.
  • Rumble – Rumble creates a low-frequency drone for a deep, cavernous reverb sound. It sounds neat on synths.
  • Octaves – This effect combines the Wet v3 Reverb with a dual octave generator, one up and one down.
  • Wet+Echo – Combines the Wet v3 Reverb with stereo echo.
  • Wet+Detune – This effect adds the Wet v3 Reverb and a detune effect.
  • Bloom – This reverb is based on our Vintage Digital algorithm. It builds more slowly than a typical reverb.
  • Swell – This reverb places a slow-attack, fast-release gate before a Wet v3 Reverb. This emulates placing a volume pedal before a reverb to swell in reverb pads.
  • Infinite Hold – Combines the Wet v3 Reverb with a hold (“freeze”) function.
  • Sustain – Built on the Wet v3 Reverb, Sustain is a magical effect that can be configured as a sustain effect or virtually infinite reverb.
  • Gated Plate – This is our Plate reverb with infinite depth and gated by the input level.

Brand

Neunaber

In the current JustPedals catalogue, Neunaber is represented by Reverb Pedals. Current listings include Illumine Reverb and Immerse MkII Reverberator. That makes the range relevant to players looking for time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Reverb Pedals

Reverb pedals create the impression of rooms, plates, springs, halls or other spaces by surrounding the dry sound with a field of reflections. Decay controls length; pre-delay separates the attack from the ambience; damping, tone, modulation, diffusion and mix set size, brightness and movement. Short settings can add depth without washing out a part, while long tails become a deliberate texture. Check trails, spillover, stereo routing, presets, tap or MIDI control and the pedal’s headroom after drives.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Presets

Preset-capable products can store and recall effect settings, signal paths or control assignments. The useful differences are the number of locations, whether footswitches or MIDI can recall them, what parameters are saved, how quickly they change and whether trails continue between settings. Check editing, backup, firmware, expression and USB requirements, and confirm that the preset system covers the parameters you need rather than assuming every control is recalled.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.