MXR M82 Bass Envelope Filter Pedal

£179.99

This is a New MXR M82 Bass Envelope Filter Pedal from MXR, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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It's time to funk things up!

Achieve classic analogue envelope filter sounds at the tap of your toe! The M82 Bass Envelope Filter Pedal from MXR is a usefull addition to your pedal collection, not only for its dynamic sound, but for its size – it's so small and refuses to take up room on your board! Customis your sound and call in just the right amount of filtering easily via its simple-to-use Dry and Effect controls.

You're all set for some serious funkiness once you've dialed in the amount of sensitivity for your level of attack and because the MXR M82 Bass Envelope Filter Pedal runs as true bypass, your tone will always remain intact when you bypass it.

Key Features:

  • Analog envelope filter
  • True Bypass
  • 9-volt operation or optional power supply
  • Metalic, Gillter finish
     

Specifications: 

  • Type: Filter
  • Inputs: 1 x Instrument
  • Outputs: 1 x 1/4"
  • Power Supply Included: No
  • Batteries: 1 x 9V
  • Height: 2.5"
  • Depth: 5.5"
  • Width: 4.5"
  • Weight: 0.84 lbs.

What Jim Dunlop say about the MXR Bass Octave Deluxe pedal:

The M288 Bass Octave Deluxe is a dual-voice octave pedal that offers analog tone, true bypass, and a variety of tonal options. MXR's 18 volt Constant Headroom Technology™ provides high headroom and superior tracking. Use the Dry knob to mix in your direct signal, and hit the Mid+ switch to add up to +14dB of internally adjustable mid frequencies (400Hz or 850Hz). Finally, mix in two separately controlled octave voices—Growl (for throaty tone) and Girth (for deep tone).

Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

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Brand

MXR

MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.

MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

Category

Wah & Filter Pedals

Wah and filter pedals emphasise or remove a moving part of the frequency spectrum. A treadle wah sweeps a resonant peak through the signal, while auto-wah, envelope and fixed filters use playing level, an LFO or a set frequency to create vocal, synth-like or cocked-wah textures. Q, sweep range, input loading, bypass type and placement all affect the response. Before gain, the filter determines which frequencies clip; after gain, it shapes the finished distortion. Check whether the circuit expects a direct guitar signal and whether the switch is mechanical, soft-touch or optically controlled.

Tags

Analogue

Uses continuous analogue circuitry for some or all of the audio path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. Check the exact signal path.

Bass

Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.