MXR M82 Bass Envelope Filter Pedal

£179.99

This is the MXR M82 Bass Envelope Filter Pedal from MXR, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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It's time to funk things up!

Achieve classic analogue envelope filter sounds at the tap of your toe! The M82 Bass Envelope Filter Pedal from MXR is a usefull addition to your pedal collection, not only for its dynamic sound, but for its size – it's so small and refuses to take up room on your board! Customis your sound and call in just the right amount of filtering easily via its simple-to-use Dry and Effect controls.

You're all set for some serious funkiness once you've dialed in the amount of sensitivity for your level of attack and because the MXR M82 Bass Envelope Filter Pedal runs as true bypass, your tone will always remain intact when you bypass it.

Key Features:

  • Analog envelope filter
  • True Bypass
  • 9-volt operation or optional power supply
  • Metalic, Gillter finish
     

Specifications: 

  • Type: Filter
  • Inputs: 1 x Instrument
  • Outputs: 1 x 1/4"
  • Power Supply Included: No
  • Batteries: 1 x 9V
  • Height: 2.5"
  • Depth: 5.5"
  • Width: 4.5"
  • Weight: 0.84 lbs.

What Jim Dunlop say about the MXR Bass Octave Deluxe pedal:

The M288 Bass Octave Deluxe is a dual-voice octave pedal that offers analog tone, true bypass, and a variety of tonal options. MXR's 18 volt Constant Headroom Technology™ provides high headroom and superior tracking. Use the Dry knob to mix in your direct signal, and hit the Mid+ switch to add up to +14dB of internally adjustable mid frequencies (400Hz or 850Hz). Finally, mix in two separately controlled octave voices—Growl (for throaty tone) and Girth (for deep tone).

Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

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Brand

MXR

MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.

MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.