MXR M306 Poly Blue Octave Pedal

£239.00

This is a New MXR M306 Poly Blue Octave Pedal from MXR, listed in Octave Pedals on Just Pedals. Read More below.

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The MXR Poly Blue Octave brings modern and classic pitch-shifting styles together with fuzz and modulation — to create the ultimate octave pedal for tone-crafters and sonic-seekers!

Levelled Up

The Poly Blue Octave features four separate octave divisions — one octave down, two octaves down, one octave up, and two octaves up — and you get to control the level of each in the mix. Each is polyphonic by default, which means they sound just as amazing with chords as they do with single note passages. Your dry signal gets its own level control, as well, so you can dial in the perfect blend of pitch-shifted tones.

From Contemporary Clarity to Raw Vintage Grit

The Mono switch takes you back to the gritty, monophonic tones of analogue-style pitch-shifters. In this mode, the sub-octave signals have the warm vibes and raw personality of a pedal such as the MXR Vintage Bass Octave, while the higher octave signals resemble the Octavio Fuzz with its fuzz intensity dialled all the way back.

Call up the Thunder & Lightning

The Poly Blue Octave comes equipped with an unruly fuzz that’s inspired by the classic MXR Blue Box Fuzz. Applied to all five signals, the fuzz volume can be adjusted using the Dry knob after pressing and holding the Fuzz button. When used with the sub-octave signals, the fuzz sounds thick and subterranean. Over the higher pitched signals, the fuzz is searing and synth-like. Run them all at the same time for a choir of thunder and lightning!

Phase Yourself

For infusing your octave tones with an alluring sense of motion, from thick and syrupy to frenzied and frantic, the Poly Blue Octave features a dual-mode modulation effect. In polyphonic mode, the effect provides an uncanny simulation of the famous Leslie effect, and while In monophonic mode, it provides classic swirls and swooshes inspired by the Phase 90. Like the fuzz effect, the modulation applies to all five signals when engaged. The Mod knob adjusts the rate of the effect — when you want it off, just roll the Mod knob back fully counter-clockwise.

Step Up & Take Control

Through the EXP jack, the Poly Blue Octave allows you to control various settings with an expression pedal such as the Volume (X) 8 Pedal or an off-board switch such as the MXR Tap Tempo to sweep between two different knob and switch configurations or toggle the fuzz and mono modes on and off.

A Full Palette of Tones & Textures

The MXR Poly Blue Octave delivers high-performance pitch-shifting, fuzz, and modulation in a ruggedly reliable housing with true bypass switching. Put this into your signal chain, and open up new sonic frontiers.

Specifications

  • Input Impedance: 1MΩ
  • Output Impedance: 100 Ω
  • Maximum Input Level: +5 dBV
  • Noise Floor: -97 dBV
  • Current Draw: 265 mA
  • Power Supply: 9V DC

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Brand

MXR

In the current JustPedals catalogue, MXR is represented by Overdrive Pedals, Compressor Pedals and Chorus Pedals. Current listings include Bass Synth, M300 Reverb and M307 Layers. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Octave Pedals

Octave pedals generate one or more notes above or below the input, either by analogue tracking, digital processing or a blend of both. Monophonic circuits often track best with clean, single-note playing; polyphonic designs can handle chords more reliably but may introduce a different feel or latency. Controls such as octave-up, octave-down, dry level, filter and tracking range shape the result. Check the intended instrument, register, input impedance and whether the pedal remains stable before or after other gain effects.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.