Jim Dunlop Jimi Hendrix Cry Baby Wah Pedal

£184.99

This is a New Jim Dunlop Jimi Hendrix Cry Baby Wah Pedal from Jim Dunlop, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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Jimi’s wah is the forefather of the modern wah guitar sound. Jim Dunlop release the Jimi Hendrix Wah Wah pedal paying homage to the pioneer of the wah wah guitar. Featuring an assimilation of the original 60s design, the Hendrix wah will allow you to get 60s Hendrix wah tones without forking up the cash for an original wah pedal!

Here’s what Jim Dunlop say about the Jimi Hendrix Wah

The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day, few players’ names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms. The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like “Up From the Sky,” “Voodoo Child (Slight Return),” “Little Miss Lover” and “Still Raining, Still Dreaming.” The Jimi Hendrix Signature Wah reproduces these timbres, and more, with startling accuracy. Throaty and expressive, it will fire your imagination. The vintage classic look features a sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound, everything about this wah just screams Hendrix.

Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

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Brand

Jim Dunlop

In the current JustPedals catalogue, Jim Dunlop is represented by Wah & Filter Pedals, Fuzz Pedals and Volume Pedals. Current listings include MXR GT Overdrive, DVP4 Volume X Mini and Slash Wah. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.