Fender Santa Ana Overdrive – Nearly New – New Fender Guitar Effect Pedal
£169.00
The Fender Santa Ana Overdrive is a dynamic and open overdrive pedal that can deliver destructive tones that range from a distinct characteristic crunch all the way to an over-saturated distortion. The Santa Ana is impressively adaptable emitting its core overdriven sound as well as also giving the pedal a delightful switchable boost that can…
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The Fender Santa Ana Overdrive – Nearly New is in New condition and made by Fender , it is a great New Nearly – Overdrive Ana Santa Fender Guitar Effect Pedal- The Fender Santa Ana Overdrive is a dynamic and open overdrive pedal that can deliver destructive tones that range from a distinct characteristic crunch all the way to an over-saturated distortion. The Santa Ana is impressively adaptable emitting its core overdriven sound as well as also giving the pedal a delightful switchable boost that can allow your solo to soar. The dual voice setup lends itself brilliantly to creating a wide variety of sounds which when used in unison with the three-band EQ can create a plethora of sounds perfect for any setting. A completely intuitive interface every alteration is straightforward therefore you can easily access the sound you wish to create. A lightweight but durable anodized aluminium chassis with a classy brushed aluminium finish creates an appealing aesthetic that will take pride of place within your pedal-board. With a wide range of tones a stunning style and durable construction there is nothing to not love about Santa Ana. . Available from Just Pedals for only £ 169 Santa Ana – Sounds Like Santana? The Fender Santa Ana Overdrive pedal is a dynamic and nuanced overdrive effect that is perfect for generating the types of tones associated with the guitarist from which this pedal (most likely) gets its name – Santana. The Santa Ana is designed to be an open sounding and dynamic pedal that can achieve a wide range of overdrive flavours from edge-of-breakup tones through to thick rich and sustaining lead sounds. It responds very well to your playing dynamics and will clean up simply by rolling down the volume control on your guitar. For blues and rock players who like an amp-like response this pedal will give the balanced range of dynamics that you require and help to bring out every nuance in your playing. Multiple Controls The Santa Ana pedal has a 3-band EQ and presence control to shape your sound. It also dual independent voices for different flavours of overdrive. A boost switch is a handy addition to the Santa Ana that lets you set up your core tone with the pedal and then engage the boost effect to push your sound even further into saturation. This effectively gives the Santa Ana two separate tones making it a very versatile pedal. Professional Features The Santa Ana has a rugged and lightweight aluminium chassis with a brushed metal finish. This gives it both read-ready durability and a classy-aesthetic that can take pride-of-place on your pedalboard. The pedal is built by Fender who have a multitude of experience in amplifier design and you can be sure that this pedal will last a lifetime of gigging rehearsing and recording. Magnetic Battery Door & Jewel Light The jewel LED light not only looks great it also adds a handy on-stage visual indicator of the pedals operation. The pedal has a clever battery compartment door; it has a magnetic latch which means you can easily change the battery with no fiddly screws to worry about. This is a thoroughly professional pedal – both in tone and appearance – and would make a welcome addition to your pedalboard. Features Rich and open overdrive with great pick dynamics and nuance 3-band EQ plus presence control for maximum tonal shaping Two voices Boost switch Drive and level controls for wide ranging tone from edge-of-breakup to thick saturation Responds to guitar volume control and cleans up when volume is rolled down Rugged anodized aluminium construction Classy brushed finish and jewel light Battery door with magnetic latching opening (no screws needed) Powered by 9V battery or DC Specifications Effect Type: Overdrive Controls: Bass Middle Treble Presence Output Level Voice Toggle (A/B) Drive Boost Footswitch Bypass Footswitch Inputs: 1 x 1/4 Instrument Outputs: 1 x 1/4 Instrument Power Requirements: 9-Volt Battery or DC Negative AC Adaptor Power Consumption: 120mA Input Impedance: 1M ohm Output Impedance:5k ohm Material: Anodized Aluminium Colour: Red
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Fender is a legendary American manufacturer of musical instruments and amplification equipment, widely celebrated for its iconic guitars, basses, and amplifiers. Founded in 1946 by Leo Fender, the company has played a pivotal role in shaping the sound of modern music across genres such as rock, blues, country, and jazz.
Fender guitars and basses are renowned for their distinctive designs, craftsmanship, and versatile tones. Models like the Stratocaster, Telecaster, and Precision Bass have become cultural icons and are favored by countless musicians worldwide for their playability and signature sound.
In addition to instruments, Fender is also known for its line of amplifiers, including the iconic Fender Twin Reverb and Fender Deluxe Reverb, revered for their clean tones and lush spring reverb.
Furthermore, Fender produces a wide range of effects pedals, catering to guitarists seeking classic tones and modern innovations. From overdrive and distortion to delay, reverb, and modulation, Fender pedals offer musicians a variety of sonic tools to shape their sound.
Beyond instruments and amplification, Fender also manufactures acoustic guitars, ukuleles, electric violins, and a variety of accessories, including strings, cables, straps, and cases.
With a legacy spanning over seven decades, Fender remains a symbol of excellence and innovation in the music industry, continuously pushing the boundaries of instrument design and sound technology while honoring its rich heritage and commitment to quality craftsmanship.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Rich and open overdrive with great pick dynamics and nuance 3-band EQ plus presence control for maximum tonal shaping Two voices Boost switch Drive and level controls for wide ranging tone from edge-of-breakup to thick saturation
ORIGINAL FENDER-DESIGNED DISTORTION CIRCUIT: Designed by our in-house experts, the Hammertone Distortion is a low-noise, high-power rock machine with a dynamic and versatile sound. ACTIVE EQ CONTROLS: Active Bass and Treble controls provide massive control over your tone, with up to 15db of boost or cut. INTERNAL TONE CONTROLS: The internal trim-pot controls allow for pre-set adjustments to further shape your sound. A mid-range trimmer lets you add bite and bark, while the tone control allows you to dial down super-high frequencies to tame your amp. CUSTOM COLOUR “F” LOGO KNOBS: Paying homage to Fender’s historic custom colors, these “F” logo knobs are easy to read, easy to grip and stand out on stage. RUGGED ROAD-WORTHY HARDWARE: The rugged aluminum enclosure and metal hardware deliver road-worthy reliability. True bypass switching ensure easy setup and pure tone.
Compression and distortion are an undeniable duo. We combined those two essential effects into one pedalboard-friendly chassis: meet the Compugilist Compressor/Distortion. The two discrete, all-analog effects are independently switchable, allowing you to use them solo or stacked. The straightforward controls make it easy to dial in your sound to taste. Designed by our in-house team of experts, the Compugilist Compressor/Distortion is an all-original Fender circuit. The chassis is crafted from lightweight, durable anodized aluminum, and the Amp Jewel LED gives your pedalboard the classic Fender look. The chassis is crafted from lightweight, durable anodized aluminum, and the LED-backlit knobs show your control settings on a dark stage at a glance.
Drawing inspiration from the original tube amp line that laid way for Fender’s sub-sonic signal processing, the Bassman pedal line hosts a collection of meticulously crafted analog and digital circuits all curated from the ground up for bass-centric tonal expansion. Thick and woolly bass fuzz for the ages: cramming decades of bass fuzz tones into a small footprint, the Bassman Fuzz pedal offers two voices of speaker-pumping grit and all the right controls to keep your low end solid. Beyond offering fur drenched, riff-ready gain, this buffer-friendly fuzz can be tamed to balance with your clean lows using the three-position focus switch and blend knob. Select where the fuzz sits in the mix from three focus frequencies: full frequency band, just the mid and high frequencies, or high frequencies only with each setting leaving plenty of room to blend in the right amount of your clean signal underneath the fuzz.
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