The Death By Audio Apocalypse Distortion & EQ Pedal works as an intuitive 5-in-1 distortion pedal. Utilising five distinct circuits the apocalypse is ideal for the soloist looking for a boost to their performance. The fuzz includes a Twin-T scoop War Fuzz Dual J-FET Octave Rect and a Gain x1000 all of which offer a different sound and intricacies for a diverse tone. This is fully customised through a set of three dials including a Volume Drive sweepable frequency EQ and finally waveform selector.
Death By Audio Apocalypse Distortion & EQ
£289.00
This is a New Death By Audio Apocalypse Distortion & EQ from Death By Audio, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
Death By Audio
In the current JustPedals catalogue, Death By Audio is represented by Fuzz Pedals, Distortion Pedals and Reverb Pedals. Current listings include Fuzz War, Crossover Fuzz and Echo Dream 2 Delay. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Distortion Pedals
Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.
Tags
EQ
EQ changes the level of selected frequency bands rather than adding one fixed effect. Graphic, parametric and sweepable designs can remove resonances, shape a drive stage or place an instrument more clearly in a mix. Centre frequency, Q, cut and boost range, output headroom and bypass type all matter. EQ before gain changes the frequencies that clip; EQ after gain acts more like finished tone shaping, so placement should follow the problem being solved.
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