Boss EQ-200 Graphic Equalizer Pedal with MIDI Connection Cable

£255.00

This is a New Boss EQ-200 Graphic Equalizer Pedal with MIDI Connection Cable from Boss, listed in EQ Pedals on Just Pedals. Read More below.

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The Boss EQ-200 Graphic Equalizer Pedal with MIDI Connection Cable is a high-grade guitar product that allows you to take control of your tone. Dont simply settle for the subtle EQ corrections that can be achieved on your amp utilise the EQ-200 and take advantage of total sonic domination. Two 10-band EQs can be operated in stereo parallel or series giving you plenty of options for your signal flow in combination with the EQ-200s stereo connectivity. You can even alter the centre frequencies with three selectable range settings providing the flexibility needed for use with bass guitars keyboards and more. An intuitive interface makes using this pedal a breeze. Whats more you can save your favourite settings for instant recall whilst the handy level slider gives you the perfect platform for boosting either of the EQ channels for searing leads. Finally with the 32-bit AD/DA 32-bit floating-point processing and a 96kHz sample rate the Boss EQ-200 guarantees crystal-clear sound every time.

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Brand

Boss

In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

EQ Pedals

EQ pedals change the level of selected frequency bands rather than adding one fixed effect. Graphic, parametric and sweepable designs can remove resonances, shape a drive stage, make room for another instrument or place a sound more clearly in a mix. Cut and boost ranges, centre frequencies, Q or bandwidth, output headroom and bypass type all matter. An EQ before gain changes how the circuit clips; after gain it behaves more like tone shaping. Compare the available bands with the problem you actually need to solve.

Tags

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.