Fatter than pork crunchier than pickle. Its time to bring back the dirt. The Way Huge Smalls Pork & Pickle Bass Overdrive & Fuzz is the crossroads where two unmistakable sonic flavours ignite. Blending the iconic Pork Loin pedal and distinctive Russian Pickle pedal to bring you the birth of the Pork & Pickle. Calling all bassists this was tailored for your pleasure.Explore the best of both worlds. And do it with a pedal that preserves your basss bottom end. Dont put up with what youve got. Secure your signature sound with the Pork & Pickle. No matter your style this is a pedal that has tonnes of tonal flexibility to play around with. From 70s style overdrive to saturated modern rock right on through to a truly thunderous bass attack – it wont let you down. And you get all the classic characteristics of both the Pork Loin pedal and the Russian Pickle pedal too. Explore the Pork Loins distinctive clean channel and experience the Russian Pickles creamy fuzz and fat thick bottom end. The ultimate combo is here. And its not an opportunity to be missed – all your bass-playing prayers have been answered…
Way Huge Smalls Pork & Pickle Bass Overdrive & Fuzz
This is a New Way Huge Smalls Pork & Pickle Bass Overdrive & Fuzz from Way Huge, listed in Overdrive Pedals on Just Pedals. Read More below.
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Brand
Way Huge
In the current JustPedals catalogue, Way Huge is represented by Fuzz Pedals, Overdrive Pedals and Chorus Pedals. Current listings include Smalls Doom Hammer Fuzz, Smalls Geisha Drive and Smalls Stone Burner Sub Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Overdrive Pedals
Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
Fuzz
Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.
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