The foxiest fuzz in town. Warm Audios Foxy Tone Box Fuzz gives you more than a glimpse at what fuzz sounded like in the early 70s. It is one of the only modern-day pedals which uses components identical to those used back in the day to recreate the much-adored vintage-circuit and voicings. It boasts a fully authentic organic tone – with greater reliability and modern adjustability. It also has a built-in octave effect which lets you go absolutely wild with the sounds inside this dynamic box of fuzz. It may be based on a classic pedal but youve never heard fuzz quite like this before!
Warm Audio Foxy Tone Box Fuzz
£120.00
This is the Warm Audio Foxy Tone Box Fuzz from Warm Audio, listed in Fuzz Pedals on Just Pedals. Read More below.
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Brand
Warm Audio
Warm Audio is a company that specializes in high-quality audio gear, particularly focused on analog equipment. Founded in 2011, the brand is known for producing studio equipment that replicates the warmth and character of vintage analogue gear, often at a more accessible price point. Their product lineup includes microphones, preamps, compressors, equalizers, and other studio essentials that deliver professional-grade sound.
Warm Audio has built a reputation for offering premium sound quality with modern features, while keeping costs lower than many high-end, vintage-inspired alternatives. Their microphones, such as the WA-47 and WA-87, are particularly popular for their excellent tonal qualities and vintage sound, providing musicians and engineers with a versatile and affordable option for capturing vocals and instruments. Additionally, their range of preamps and processors, such as the WA-2A compressor, is designed to give users the warmth and character typically associated with classic analog gear, making Warm Audio a go-to brand for musicians and producers who want top-notch sound without breaking the bank.
Category
Fuzz Pedals
Fuzz drives the signal into extreme clipping, often flattening the waveform and generating a thick spectrum of harmonics. Transistor type, bias, input loading and tone filtering create markedly different responses, from loose and velvety to gated, spluttering or octave-rich. Some circuits interact strongly with pickup impedance and guitar volume, while others include buffers or blends for a more consistent response.
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