The Walrus Audio Melee Wall of Noise Reverb/Distortion is a pedal which blends two universes of sound into one. They say reverb and distortion go together like a lock and key with both essential in creating a huge dirty tone. This pedal has been sent from the depths to bring you a huge wall of sound combining these two fundamental effects into one. The unique joystick control gives you unrivalled control over the way they blend together whilst Volume Tone and Decay dials let you perfectly craft your voicing with precision. You can make it your riffs sound super tight or absolutely cavernous. But the fun doesnt stop there. A D>R/R>D dial determines whether the Distortion or the Reverb is placed first in your signal chain. As any seasoned musician will know can have a massive effect on your tone giving you even more sonic tools in your arsenal. With three different types of reverb consisting of Ambient Octave Down and Reverse (with Feedback) youll also have a tonne of textures to play with.
Walrus Audio Melee Wall of Noise Reverb/Distortion
This is a New Walrus Audio Melee Wall of Noise Reverb/Distortion from Walrus Audio, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
Walrus Audio
Walrus Audio describes itself as a collective of artists, musicians and engineers, bringing circuit design together with distinctive pedal artwork. The company says its effects are hand-built and manufactured in the USA. JustPedals listings illustrate the variety: ARP-87 multi-function delay, Slö ambient reverb, Julia analog chorus and vibrato, and Polychrome flanger. Some models focus on direct, compact controls, while others provide broader modulation or atmospheric textures. Compare each model’s modes, stereo connections and control options; the artwork is a signature of the brand, while the circuit determines how it fits a rig.
Category
Distortion Pedals
Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.
Tags
Reverb
Builds a dense tail of reflections around the original sound. Early reflections establish apparent distance and size, while decay, diffusion, damping and modulation shape the density, brightness and movement of the later field. Pre-delay separates the dry attack from the ambience, and mix controls their relative level.
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