Walrus Audio Eras Five-State Distortion Pedal

£199.99

This is a New Walrus Audio Eras Five-State Distortion Pedal from Walrus Audio, listed in Distortion Pedals on Just Pedals. Read More below.

View Just
more
and

The Walrus Audio Eras pedal is one of the most versatile gain boxes we've seen for some time! With plenty of sounds and functions packed into a compact chassis that easily fits onto your pedalboard — thanks to its thoughtful top-mounted jacks — the Eras is ready to chug, shred and palm-mute with a tight response and multiple clipping options at your disposal.

Unique Blend Control

Max out the unit's dedicated 'Blend' knob for full-on distorted onslaught, or roll it back and experiment by stacking other dirt pedals in front of the Eras. This stompbox is also great for bass players who like to blend their dry signal with distortion, yielding a modern tone that remains focused and dynamic. No matter how you configure the Walrus Audio Eras, this pedal is ready to deliver a diverse selection of speaker-ripping sounds!

5 Gain States for Unparalleled Versatility

The Eras features a five-position rotary knob that offers the following gain states. It's almost like having five drive circuits in one pedal!

  • I: Tight mode with a slight mid-cut, LED hard-clipping, and internal volume compensation. Fastest response, great for palm muting.
  • II: Tight mode with a slight mid-cut and silicon hard-clipping. Smooth with added compression.
  • III: Dual-clipping mode with a slight mid-cut and both silicon and LED hard-clipping. Rich & full with added sustain.
  • IV: Rhythm mode with a deeper mid-cut, LED hard-clipping, and internal volume compensation. Scooped mids, tight response.
  • V: Rhythm mode with a deeper mid-cut and silicon hard-clipping. Rhythmic, warm and full. 

Think of each position as a different "flavour". Blend in your dry signal, or use other pedals in conjunction with these gain states for a near-infinite amount of high-quality distortion sounds!

Key Features

  • Versatile high-gain distortion with 5 selectable "flavours" (modes).
  • Each mode varies in regard to compression, bass-response, clipping-type and gain amount.
  • Great for all types of heavy musical genres, from classic rock to progressive metal.
  • Blend in your dry signal for clarity or stacking/mixing with other drive pedals.
  • Works great for bass guitar too, especially with blending ability.
  • Active boost/cut bass & treble control for sculpting the perfect tone.
  • Top-mounted input & output lets you save precious pedalboard real-estate.
  • Artwork by Adam Forster features a mythical four-horned, winged bull ready to stampede into any mosh pit!

Specifications

  • Controls: Volume, Blend, Gain, Bass, Treble, Mode (5-position selector switch)
  • Power: 9V DC, centre negative, 100mA minimum (power supply not included)
  • Dimensions: 12.1 x 7.4 x 5.2 cm
  • True bypass
  • Made in the USA

Related videos

Brand

Walrus Audio

In the current JustPedals catalogue, Walrus Audio is represented by Reverb Pedals, Distortion Pedals and Chorus Pedals. Current listings include Canvas Power HP, Canvas Power USB and Polychrome Flanger. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Distortion Pedals

Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.

Tags

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.