Valeton GP-200LT Guitar Amp & Effects Processor

£199.99

This is a New Valeton GP-200LT Guitar Amp & Effects Processor from Valeton, listed in Multi-Effects Pedals on Just Pedals. Read More below.

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The GP-200LT is essentially a ‘lite’ version of Valeton’s flagship GP-200 amp and effects processor. With its more compact and portable design, this “burden-lifter” is the ultimate all-encompassing, affordable guitar tone workstation for the musician on the move! Use the Valeton GP-200LT alone as a fly rig, or take advantage of its smaller proportions by mounting it onto your existing pedalboard.

Boasting 4 footswitches, enormous I/O options, a large colour-display screen, user-friendly buttons and knobs, 11 freely-movable effect modules and more than 240 patches from world-renowned classic speakers, IRs and effect units — GP-200LT will fit into any scenario and become your go-to gear!

The Valeton GP-200LT also offers a 180-second looper, 100 high-quality drum patterns, and has dedicated editor software for Windows/Mac — enabling deeper parameter tweaking. It even functions as an audio interface too (compatible with Windows/Mac/iOS/Android), providing immeasurable convenience to your songwriting, practice and recording. You can also connect external footswitches and control the GP-200LT via MIDI. Trust us, it’s the most sophisticated guitar amp and effects processor at it’s price-point!

Key Features

  • Features the same HD modeling technology and platform used for the flagship GP-200; delivering organic, analogue-inspired tones.
  • 24-bit, 44.1kHz audio conversion for incredible sonic fidelity and detail.
  • Supports NAM file imports for downloading & sharing thousands of modelled amp & FX sounds.
  • Over 240 built-in effects.
  • 140+ legendary guitar/bass/acoustic amps and cabinets.
  • 100+ dynamic/distortion/frequency/modulation/delay/reverb effects based on renowned stompboxes.
  • Supports 20 user IRs; upload your favourite cab sounds!
  • 256 patch slots (100 factory, 156 user).
  • Up to 11 freely-movable modules in the effect chain, able to work simultaneously.
  • You are now able to use the “Auto Swell” effect in the PRE/NR module.
  • 180-second looper for jamming and developing song ideas.
  • 100 high-quality drum patterns.
  • Precise built-in chromatic tuner.
  • 4.3-inch TFT LCD presents an intuitive, user-friendly multi-language user interface.
  • 4 customisable LED footswitches with 3 footswitches templates; applicable for various situations.
  • Independent headphone volume knob, making GP-200LT a perfect desktop effects processor or audio interface.
  • Diverse range of inputs and outputs allow for sophisticated rig routing.
  • Mini MIDI jacks for seamless communication and control with other MIDI-enabled devices.
  • USB Type-C connection audio interface compatible with Windows/Mac/iOS/Android systems.
  • 6-in 4-out USB Audio supports Re-amp and Loopback.
  • Intuitive Windows/Mac editor.
  • Rugged cast metal chassis.
  • 9V DC power supply (included).

Firmware V1.7 – NAM Importing For Valeton GP-200 Series

A real gamechanger for Valeton users: you can now import NAM files into your GP-200 series pedals! Here’s a summary of the firmware update:

  • Expand your library of amp & FX models by loading NAM files into any of the GP-200 series pedals
  • Download & share NAM files with thousands of users worldwide
  • NAM stands for Neural Amp Modeler, a universal format for guitar tone modelling
  • Each AMP and DST module has 5 loading slots
  • The update is FREE to download, and is compatible with the following models: GP-200, GP-200X, GP-200R, GP-200LT, and GP-200JR
  • For more info on how to update, visit Valeton’s website!

Specifications

  • A/D/A Converter: 24-bit high performance audio
  • Sampling Frequency: 44.1 kHz
  • SNR: 110dB
  • Module: 11, can be used simultaneously
  • Patch Memory: 256 Patch slots, 100 Factory Patches
  • Looper: 180 seconds of record time
  • Drum Machine: 100 Patterns
  • MIDI(IN/OUT/THRU): 1/8″ TRS MIDI connectors

Analog Input Connections

  • Guitar Input: 1/4″ Unbalanced (TS)
  • Input Impedance: 4.7M Ohms (A.GT), 1M Ohms (E.GT), 10k Ohms (Line)
  • Return Input: 1/4″ Unbalanced (TS)
  • Return Input Impedance: 100k Ohms
  • Aux Input: 1/8″ Stereo (TRS)
  • Aux Input Impedance: 10k Ohms

Analog Output Connections

  • L/R Balanced Outputs: 1/4″ TS jacks
  • L/R Output Impedance: 1k Ohms
  • Send Output: 1/4″ Unbalanced (TS)
  • Send Output Impedance: 1k Ohms
  • Headphone Output: 1/8″ Stereo (TRS)
  • Headphone Output Impedance: 22 Ohms

Digital Connections

  • USB Port: USB 2.0 Type-C Port
  • Sample Rate: 44.1 kHz
  • Bit Depth: Supports 16-bit or 24-bit

Size & Weight

  • Dimensions: 253mm (W) x 165mm (D) x 56mm (H)
  • Unit Weight: 1.25 kg

Power

  • Power: 9V DC
  • Current Draw: 1000mA

Related videos

Brand

Valeton

In the current JustPedals catalogue, Valeton is represented by Multi-Effects Pedals, Distortion Pedals and Looper Pedals. Current listings include MES-2 Dapper, GP-200 Multi-Effects Processor and MES-1 Dapper Mini. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Multi-Effects Pedals

Multi-effects pedals combine several processing blocks—such as drive, modulation, delay, reverb, pitch and amp modelling—in one foot-controlled unit. Presets, scenes, USB, MIDI, expression inputs and direct outputs can make them flexible for live and recording work. Compare the internal signal path, the number of simultaneous blocks, editing method, latency and cabinet simulation rather than judging only by the effect count. Also check footswitch spacing, power requirements and whether the unit can integrate cleanly with an amplifier or mixer.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

MIDI

MIDI sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying instrument audio itself. Program changes can recall presets, continuous controllers can move parameters and MIDI clock or transport messages can synchronise timing. Check the connector or USB method, channel and message support, clock direction, latency and whether the device needs a separate MIDI host or adapter. MIDI control is powerful, but compatibility depends on the exact messages each product understands.