The Tech 21 DP-3X dUg Pinnick is a bass pedal which provides you with a compact adaption of dUgs signature Tech 21 ultra-bass 1000-amp head capturing his signature sound and performance while also recreating that iconic original tone dUg developed back in the 80s. Its wide range of controllable parameters provide excellent tone shaping capabilities with the chunk and drive controls offering sonic enhancements while the 3-band EQ and mid shift switch also provide room for tonal tweaking. The addition of an XLR output allows players to send their signal directly to PA systems and sound boards without compromising the tonal integrity while the headphone capability provides silent practice and the built-in tuner ensures you always remain in tune – so you can say goodbye to tuning in-between every song. Personally beta-tested on his European tour dUgs signature Tech 21 dp-3x Bass Pedal will deliver incredible soundscapes and a stunning performance in any venue without any amp.
Tech 21 DP-3 dUg Pinnick
This is a New Tech 21 DP-3 dUg Pinnick from Tech 21 is in our Specialist Effects Pedals category on Just Pedals. Read More below.
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Brand
Tech 21
Tech 21 began in Manhattan in 1989 when designer Andrew Barta introduced SansAmp, an all-analogue amplifier and speaker-emulation circuit for direct recording. SansAmp remains central to the company’s guitar and bass range, appearing in standalone preamps, DI pedals, rack units and Fly Rig products. JustPedals listings include the GT2, Programmable Bass Driver DI, Para Driver DI and Character Series VT Bass DI, as well as the MIDI Mouse. These products shape or send a direct instrument signal, rather than providing only conventional modulation or ambience; compare instrument voicing and output connections.
Category
Specialist Effects Pedals
Specialist effects alter the signal in ways that do not sit cleanly inside one established family. They may use granular processing, frequency shifting, resonators, freeze or sustain, bit reduction, ring modulation, feedback networks or combinations of several techniques. The relevant distinction is the underlying process, its tracking or latency, and how completely the dry signal can be blended or replaced.
Tags
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
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