The SubZero Forge Metal Distortion Pedal tightens your playing with high-gain saturation for a thick aggressive metal tone. Metal guitarists require extreme distorted tones with precise articulation for both chugging riffs and fast runs the Forge Metal delivers in abundance. Temper your gain with the dedicated control from a gritty snarl to sludgy growl regardless of sub-genre its easy to coax fat tones from this pedal. The all-analog circuitry lends a pristine sound quality for sheer clarity and unrivalled articulation. Keeping it simple with just three knobs this makes dialling in a range of sounds feel effortless theres no complicated controls just big metal distortion. Please Note: This pedal does not come with a power supply. One can be purchased here.
SubZero Forge Metal Distortion Pedal
This is a New SubZero Forge Metal Distortion Pedal from SubZero, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
SubZero
In the current JustPedals catalogue, SubZero is represented by Overdrive Pedals, EQ Pedals and Tuner Pedals. Current listings include Maximum Overdrive, PS09 and Turbocharger Boost. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Distortion Pedals
Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.
Tags
Analogue
Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.
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