Strymon Brig dBucket Delay Pedal

£249.00

This is the Strymon Brig dBucket Delay Pedal from Strymon, listed in Delay Pedals on Just Pedals. Read More below.

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There's nothing quite like the sound of a classic bucket brigade (BBD) delay — offering warm, rich tones and a distinctive yet organic gooey-ness on the repeats. The Strymon Brig dBucket delay pedal is designed to recreate all of the signature behaviour that these vintage BBD chips deliver, while providing the modern flexibility, power and performance that you'd come to expect from a premium Strymon product. Plug into Brig, play a note, and you'll instantly be drawn in by the repeats that evolve with captivating complexity!

Strymon's Brig pedal boasts three different, meticulously-crafted BBD voices that are based on iconic bucket brigade circuits. These offer you everything from gritty repeats and sci-fi psychedelia, to soft and dream-like soundscapes that you can float on top of. Warm bucket brigade modulation gives your repeats exciting movement and, at the shortest delay times, Brig works as a killer standalone BB chorus pedal too!

Add in full stereo I/O, TRS MIDI, 300 presets, USB-C connectivity for DAW MIDI control and firmware updates, a discrete JFET analogue input circuit for unrivaled feel and touch response, and seamless tap tempo functionality that allows you both artifact-free tempo tapping or bucket brigade chaos when you tweak the 'Time' knob — and you have a seriously powerful BBD workstation in compact form.

Key Features

  • Three distinct bucket brigade voicings based on classic BBD circuit configurations.
  • Premium, discrete stereo JFET analogue input circuit for exceptional feel and touch response.
  • TRS MIDI/expression jack allows for external control via an expression pedal or TRS MIDI connection.
  • Full MIDI integration: 300 onboard presets, real-time parameter control and more!
  • Full stereo inputs and outputs via TRS jacks.
  • Mono-to-mono, mono-to-stereo and stereo-to-stereo operation.
  • Artifact-free tap tempo function for on-the-fly time changes.
  • Unique 'Filter' control enables you to precisely shape the tone of the repeats.
  • USB-C jack for controlling via MIDI from a computer or for performing firmware updates.
  • Super low-noise 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality.
  • High-performance 520MHz ARM Superscalar processor.
  • 32-bit floating point processing.
  • True or buffered bypass, for a 100% unprocessed signal when the pedal is bypassed or a conditioned signal with preserved high-end integrity.
  • Strong and lightweight anodized aluminium chassis.
  • Designed and built in the USA.

3 Delay Voices

  • 3205: 30-300ms. Recreates the character of vintage delay pedals that used a single low-voltage MN3205 BBD chip (synonymous with '80s Japanese analogue delay pedals) for gritty repeats that can morph as it feeds back — great for slapback echoes, leads, and psychedelic sci-fi sounds.
  • 3005: 100ms-1 sec. Emulates the vibe of old-school delay stompboxes that used dual MN3005 BBD chips at higher voltage (like those famous "Memory" pedals, specifically examples made in the '90s) for longer delay times and warm repeats with a soft, dream-like quality.
  • Multi: Features two cross-coupled, super-clean dBucket delay lines with golden ratio timing to create complex soundscapes and a huge stereo soundfield that remains musical and clean even while sitting on the edge of self-oscillation!

Controls

  • Time: Controls the delay time according to the selected voice. Delay clock is continuously variable so that turning it while repeats are happening can produce interesting pitch effects.
  • Mix: Sets the delay mix from full dry at minimum, to full wet with no dry signal at maximum. A 50/50 mix occurs at approximately 3 o'clock on the knob.
  • Filter: Adjusts the EQ filtering, noise, and bucket loss of the repeats based on the selected voice.
  • Repeats: Varies the number of delay repeats from one to runaway oscillation. Set to 3 o'clock for sustained, infinite repeats without runaway.
  • Mod: Adds LFO modulation to the delay time. Modulation is off at the minimum setting. The modulation speed is slow in the first half, and fast in the second half — increasing in intensity as the knob is turned clockwise.
  • Footswitch: Engages and bypasses the effect. A red LED indicates the effect is engaged. This is also used to enter 'Tap Mode' to manually tap in delay times.

Specifications

  • Input Impedance: 1M Ohm
  • Output Impedance: 100 Ohm
  • A/D & D/A Conversion: 24-bit, 96kHz
  • Frequency Response: 20Hz to 20kHz
  • Signal to Noise Ratio: 116dB
  • Dimensions (D x W x H): 4.5" x 1.7" x 2.2" / 11.43 x 4.32 x 5.59 cm)
  • Power Requirements: 9V DC Centre Negative, 250mA Minimum (PSU Sold Separately)

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Brand

Strymon

Strymon is an American company renowned for producing high-end, digitally-powered guitar effects pedals that deliver studio-quality sound. Founded in 2009 as a part of Damage Control Engineering, Strymon quickly gained a reputation for its innovative approach to effects, particularly in areas like delay, reverb, and modulation. Their pedals are known for their pristine sound quality, versatility, and deep customization options, often utilizing powerful digital signal processing (DSP) to emulate and enhance analogue sounds. Strymon’s products, such as the Timeline delay, BigSky reverb, and Mobius modulation, are highly regarded by both professional and amateur musicians for their ability to create rich, complex soundscapes. The pedals also feature intuitive controls and rugged construction, making them a staple on pedalboards worldwide.

Category

Delay Pedals

Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

MIDI

Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.

Stereo

Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.

Tap Tempo

Measures repeated foot taps and converts their interval into an effect rate or delay time. Subdivisions translate that pulse into dotted, triplet or other rhythmic values, while averaging and range limits influence how quickly and accurately the tempo settles.

USB

Provides a Universal Serial Bus connection for power, audio, MIDI, firmware or editing data. The supported USB class and connector do not by themselves show its purpose; channel count, sample format, host compatibility and power demand define the actual function.