SolidGoldFX Supa Funk Envelope Bi-Filter Pedal

£169.99

This is the SolidGoldFX Supa Funk Envelope Bi-Filter Pedal from SolidGoldFX, listed in Wah & Filter Pedals on Just Pedals. Read More below.

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Based in Montreal, Canada, SolidGoldFX are renowned for pushing the boundaries of boutique stompbox design and are revered for their unique and often unusual effects!

The Supa Funk Envelope Bi-Filter is an old-school, dual-band envelope filter, but with a cool modern twist! Featuring a responsive and articulate attack generator, the Supa Funk's "Colour" knob allows you to blend in a secondary low-pass filter, helping you to go from the classic '70s "Bam-chicka-wow-wow" funk, all the way to rich, throaty and vocal filter sweeps! 

Building on the success of SolidGoldFX's former filter devices, the Funkzilla and Funk-lite, the Supa Funk delivers all of the groovy tones of past filter units, but without their annoying technical shortcomings. The result is a range of super dynamic and smooth filter tones that follow and enhance all of the little nuances of your playing. It's time to reach for those bell-bottoms and get your funk on!

Key Features

  • Dual blendable low pass filters
  • Tuneable analogue envelope generator with depth, frequency and attack controls
  • Direction switch for forward or reverse sweeps
  • Suitable for guitar, bass, synth/keys and other electronic applications
  • All analogue audio path 
  • True bypass switching and top-mounted jacks – for ease of pedalboard mounting 
  • Hand-made in Montreal, Canada 
  • Powered by a regular 9V DC PSU (centre -, 2.1 mm, >20 mA current draw)

Controls

Featuring a simple control set, the Supa Funk delivers everything from subtle low-pass sweeps to shooting sonic laser sounds that would not be out of place in a science-fiction movie! 

The Depth knob adjusts the width or peak of the envelope effect, while the Freq knob sets the centre frequency of the filter. The Attack knob adjusts both the decay time and sensitivity – Turning it clockwise allows the envelope to trigger with ease and keeps it open for longer, while anti-clockwise lets you tame the sensitivity of the trigger and keep the filter decay shorter and snappier. Turning the Attack knob fully anti-clockwise turns off the envelope completely, allowing you to dial in some cool fixed filter tones with the Frequency knob – Ideal for creating filtered lo-fi tones or classic cocked-wah sounds.

The Colour knob blends in a secondary low-pass filter – Turning in anti-clockwise will produce brighter and sharper filter tones, while turning it clockwise will produce a thick and chewy growl-like sound. The Level knob determines how loud and funky things get while the Direction switch lets you flick between classic sweeping filter tones and futuristic filter rockets with ease.

Get The Funk Out!

Featuring an all-analogue signal path, the Supa Funk is housed in a rugged, single-sized chassis with top mounted jacks for easy integration onto your pedalboard. Adorned with cool retro 70’s graphics, the Supa Funk features soft touch true-bypass switching so it won't suck your tone when in bypass mode. Whether you're using a guitar, bass, keyboard or synth, the Super Funk is sure to add a uniquely different dimension to your sound…Just how funky you get is down to you!

*Please Note: This pedal may not function as intended with some Active Bass Guitars

Brand

SolidGoldFX

SolidGoldFX is a pedal manufacturer known for its high-quality effects designed for musicians looking to enhance their sound with vintage-inspired tones and modern versatility. They produce a variety of pedals, with a focus on fuzz and modulation effects. Their products, like the If 6 Was 9 MkII fuzz pedal, use vintage-style components such as the BC183 silicon transistors to deliver a classic, saturated fuzz sound that pays homage to the 1960s era of psychedelic and rock music. SolidGoldFX pedals are popular for their rich, dynamic tone shaping, combining vintage warmth with contemporary flexibility.

Another standout from SolidGoldFX is their Imperial MKII, which showcases their attention to crafting high-performance pedals that appeal to a broad range of playing styles. The brand has earned praise for creating effects that not only provide rich textures and tones but also ensure robust performance on stage and in the studio. Their pedals like the If 6 Was 9 MkII are especially beloved for their ability to achieve vintage fuzz tones while also delivering precise control over gain and tone, making them a versatile choice for both beginner and professional musicians.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.

Tags

Analogue

The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.

Vocal

Designed for microphone-level signals and the frequency, dynamics and feedback behaviour of the human voice. Input gain, balanced connections, phantom power and pitch tracking may be provided so effects respond correctly before the signal reaches a mixer or PA.