JHS Pedals Double Dragon Lo-fi Octave Pedal

£174.99

The Double Dragon Lo-Fi Octave Device is built on shoulders of 40-50 year old analog octave divider technology — the same technology that gave us the MXR Blue Box, DOD Octoplus, the Boss OC-2, Ibanez OT10, Electro Harmonix Micro-Synth, and other circuits that synth designers helped inspire.  Pre-DSP. Pre-precision. All analog warmth.  Play single notes […]


Description

The Double Dragon Lo-Fi Octave Device is built on shoulders of 40-50 year old analog octave divider technology — the same technology that gave us the MXR Blue Box, DOD Octoplus, the Boss OC-2, Ibanez OT10, Electro Harmonix Micro-Synth, and other circuits that synth designers helped inspire. 
Pre-DSP. Pre-precision. All analog warmth. 
Play single notes and you have a riff machine. Play a chord and the circuit starts to stutter, jump, and fight itself, making something new. It’s not trying to replicate you perfectly — it’s trying to play along with you. 
It’s alive!
The sound
The Double Dragon is an all-analog monophonic octave-down and up effect. The lower octave is the foundation — thick, analog, with the characteristic behavior that made vintage octave circuits legendary. The upper octave is pure bonus: an octave-up distortion that lands somewhere between an Octavia and a Superfuzz. Gritty. Usable. With a mid-range sting that cuts through the mix. 
Turn on the Double Dragon and you can’t help but start playing riffs. Your guitar feels twice the size. You fill out the space that used to need a band. 
A Milestone
In our entire JHS Pedals history, this is our first octave device. We’ve done octave fuzz but we never landed on a sub octave circuit that felt at home in our brand — until now. Weird, wild, and lo-fi. We’re glad we waited to get it right. 
Whos it for?
For riff lovers. For anyone who’s ever listened to Led Zeppelin and wanted that synchronized guitar-and-bass weight under their fingers. For fans of The White Stripes, Hendrix, and Rage Against The Machine, Muse, Royal Blood. Also — For bass players who know what a vintage OC-2 can do to your basslines. For creative players who want something more than digital precision and clinical accuracy. For people who want a collaborator, not just a tool.
Controls

VOLUME controls the master output level with extra boost available. Turn the octaves off, dry full on, and you have an amazing always-on preamp. 
DRY mixes in your clean signal to the octave effects — all the way up is where we suggest you start, all the way down goes fully wet for glitchy vintage synth textures. 
OCT− controls the lower sub-octave mix. 
OCT+ controls the upper octave and distortion (activated by right footswitch).
Left footswitch is ON/OFF. Right footswitch engages OCT+ circuit. 
The main effect must be on for OCT+ to function — it’s the way it’s designed — not a limitation. For octave-up only, engage and turn OCT− down. 

Pairs well with
Overdrive after (especially Tube Screamer – mid heavy types). Fuzz after for chaos. Pitch vibrato for a more synth-like texture. The Double Dragon’s tracking quirks become even more alive and useful when layered with other effects.
Specifications
Top-mount­ed jacks 
9VDC Cen­ter Neg­a­tive
Silent Buffered Bypass Switching
Dimensions: 2.6” X 4.8” X 1.6”
mA Requirement:  75mA
DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.

Brand

JHS Pedals

Category

JHS Pedals

Tags

Effects Pedals

Guitar Pedals

Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone.

These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste.  And just like with food, once you’ve tried one dish, you’ll want to sample them all.

Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.

Octave

An octave pedal shifts your guitar signal up or down by one or more octaves, blending the altered pitch with your original sound to create a fuller, more complex tone. It can add a deep, bass-like layer underneath your playing or a shimmering high octave on top for lead lines and solos. Classic analogue octave pedals often produce slightly gritty, organic sounds, while modern digital versions track more precisely and can offer multiple octave ranges.

Octave pedals are great for thickening single-note riffs, creating synth-style textures, or even mimicking bass parts when playing alone. They pair well with fuzz or overdrive pedals for massive, harmonically rich tones. Whether you’re after vintage Hendrix-style octave fuzz or a modern polyphonic sound that tracks chords cleanly, an octave pedal opens up a world of creative possibilities and adds real weight and character to your tone.

Pedal

Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone.

These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste.  And just like with food — once you’ve tried one dish, you’ll want to sample them all.

Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.