The Behringer THE FLANGE WITH NO NAME Flanger Pedal is a flexible modulation tool for guitarists bassists synth players and studio producers. Built around analog circuitry it produces warm classic flanging tones reminiscent of iconic recordings. But it goes further than standard flange blending elements of phaser and tremolo for a broader tonal range. With dedicated Depth Rate and Feedback controls you can shape everything from subtle movement to pronounced sweeping textures. Multiple LFO combinations let you refine the character of your modulation while CV and expression inputs open up real-time control options. A foot-switchable effects loop adds extra routing flexibility and mono or stereo operation makes it easy to slot into live rigs or studio setups. Finished with revived 90s-inspired graphics and a sturdy housing it is designed to handle regular use while keeping your signal clean thanks to true bypass switching.
Behringer THE FLANGE WITH NO NAME Flanger Pedal
This is a New Behringer THE FLANGE WITH NO NAME Flanger Pedal from Behringer, listed in Flanger Pedals on Just Pedals. Read More below.
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Brand
Behringer
In the current JustPedals catalogue, Behringer is represented by Multi-Effects Pedals, Wah & Filter Pedals and Overdrive Pedals. Current listings include FUZZ BENDER, Pedal Flanger and Dual-Phase. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.
Category
Flanger Pedals
Flanging mixes the dry signal with a very short delay whose time is continuously modulated. The paths reinforce and cancel at regularly spaced frequencies, producing a moving comb-filter sweep with a hollow, metallic or jet-like character. Rate and depth set the motion, while feedback sharpens the notches and can push the effect towards resonant, self-oscillating textures.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
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