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Chorus mixes the dry signal with one or more short, continuously modulated delays. The small pitch and timing movement between the paths creates width, shimmer and the impression of several instruments playing together. Rate controls the modulation speed, depth controls its excursion, and delay or mix settings determine whether the result is subtle thickening, a liquid wobble or a broad stereo image.
Flanging mixes the dry signal with a very short delay whose time is continuously modulated. The paths reinforce and cancel at regularly spaced frequencies, producing a moving comb-filter sweep with a hollow, metallic or jet-like character. Rate and depth set the motion, while feedback sharpens the notches and can push the effect towards resonant, self-oscillating textures.
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Adds one or more slightly delayed voices whose delay time is continuously modulated. Their small pitch and timing differences thicken the source and create shimmer or stereo width; modulation rate, depth, base delay and mix determine how subtle or liquid the movement becomes.
Combines the dry signal with a very short, modulated delay. Regularly spaced phase cancellations form a moving comb filter, while feedback intensifies the notches and resonance to produce anything from gentle motion to a metallic jet-like sweep.