Boss RE-2 Space Echo Delay Pedal - Image 1
Boss RE-2 Space Echo Delay Pedal - Image 2
Boss RE-2 Space Echo Delay Pedal - Image 3
Boss RE-2 Space Echo Delay Pedal - Image 4
  • Boss RE-2 Space Echo Delay Pedal
  • Boss RE-2 Space Echo Delay Pedal
  • Boss RE-2 Space Echo Delay Pedal
  • Boss RE-2 Space Echo Delay Pedal
Boss RE-2 Space Echo Delay Pedal - Image 1 Boss RE-2 Space Echo Delay Pedal - Image 2 Boss RE-2 Space Echo Delay Pedal - Image 3 Boss RE-2 Space Echo Delay Pedal - Image 4

Boss RE-2 Space Echo Delay Pedal

£229.00

This is a New Boss RE-2 Space Echo Delay Pedal from Boss, listed in Delay Pedals on Just Pedals. Read More below.

View Just
more
and , , ,

As an affiliate partner, we may earn a small commission when you buy through our links — at no extra cost to you.

Boss has squeezed the inspiring sounds of the legendary Roland RE-201 Space Echo into a compact pedal! Introduced in 1974, the tape-based RE-201 quickly became a favourite among guitarists and studio wizards who adored its unique rhythmic echo sounds, warm character, and highly-playable sonic quirks. However, the Roland RE-201 was produced for just over 14 years — making original working units rare and highly sought-after.

But now, you can replicate the spellbinding tones of the Space Echo with the Boss RE-2! It delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint with reliable digital circuitry — realised in flawless detail by the company that designed the original.

Key Features

  • Authentic sound and behaviour of the iconic Roland RE-201 Space Echo in a Boss compact pedal.
  • Classic multi-head tape echo sound with expanded delay time.
  • Original three-head configuration and 11 different sound combinations.
  • Vintage RE-201 spring reverb sound with modern stereo operation.
  • 'Wow' and 'Flutter' control for introducing varying levels of natural tape modulation.
  • 'Twist' effect with footswitch control.
  • Select between the unprocessed analogue dry signal, or the modelled sound of the Space Echo preamp.
  • Tap tempo and carryover functions.
  • True stereo input and output.
  • Expandable control via external footswitches or an expression pedal.

RE-201 Space Echo: A Coveted Classic

The Roland RE-201 Space Echo was a game-changer when it came out. Equipped with three evenly-spaced tape heads and a spring reverb tank, it was capable of producing anything from clean, single delays to dense, rhythmic echoes and ambient washes. But there was more to it than that. The RE-201’s appealing sound was influenced by many factors, from the warm compression of magnetic tape saturation to the evolving modulation produced by motor speed fluctuations, friction, and other elements. Analogue preamp circuitry was also a key ingredient in the Space Echo’s rich sonic recipe.

Reborn in Digital Form

With its RE-2, Boss has managed to fully reproduce all of the complex, non-linear behaviours that contribute to the RE-201’s immortal sound. By analysing numerous vintage units, they've ensured that all of the enchanting sonic characteristics have been accurately captured and recreated courtesy of all-new algorithms — including the tape path, record/playback mechanism, motor variations, preamp colouration, spring reverb sound, and more.

Otherworldly Sounds

The Boss RE-2's 11-position mode selector allows you to dial in different virtual tape heads with or without spring reverb. You can also balance the echo/reverb blend with independent level knobs. The distinctive idiosyncrasies of the RE-201 have been emulated too, such as the gradual pitch change that occurs with 'Repeat Rate' tweaks and the runaway feedback that happens when maxing the 'Intensity' knob. And with the expressive 'Wow' and 'Flutter' control, you can harness all of the natural modulation characteristics essential to the classic Space Echo sound.

Built for Contemporary Players

When Boss recreate one of their legendary effects units, they don't just make it true to the original. They make it better too! The RE-2's delay time has been doubled, tap tempo control is supported, and there’s a cool 'Twist' function for creating evocative special effects as you perform. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing. Full stereo I/O is available for full immersion, and it’s possible to mute the dry signal for parallel effect setups and studio use. The RE-2 also supports expanded control via external footswitches or an expression pedal, including continuous pedal control of multiple panel functions at once.

Specifications

  • Voltage: 9V
  • Current Draw: 75 mA
  • Bypass: Buffered

Dimensions & Weight

  • Dimensions: 73 (W) x 129 (D) x 59 (H) mm
  • Weight (Including Battery): 450 g

Accessories

  • Owner's Manual
  • Leaflet
  • Dry Battery (9V, 6LR61)

Options (Sold Separately)

Just Related Gear :

Source Audio Ventris Reverb Pedal Boss RE-202 Space Echo Delay Pedal Strymon El Capistan Tape Delay Pedal V2

Related videos

Brand

Boss

In the current JustPedals catalogue, Boss is represented by Multi-Effects Pedals, Delay Pedals and Distortion Pedals. Current listings include PW-3 Wah, PX-1 Plugout FX and FZ-5 Fuzz. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Delay Pedals

Delay pedals repeat the input after a set time, from a short slapback to long ambient trails. Feedback controls how many repeats continue; filtering, modulation, saturation and mix shape their tone and prominence. Tap tempo can keep rhythmic delays aligned with a song, while presets and MIDI help when several timings are needed. Analogue, tape-style and digital designs respond differently to transients and overload. Check maximum delay time, spillover, stereo routing, trails and headroom before choosing a model for the rest of the board.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Digital

Digital products use conversion and processing to create, store or control the effect. This can provide presets, complex routing, repeatable algorithms, USB, MIDI and firmware features, but conversion, latency, power requirements and clocking depend on the design. Check the input and output levels, sample or impulse-response support, bypass behaviour and current draw when combining a digital unit with analogue pedals or a direct recording setup.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.

Tap Tempo

Tap tempo lets a player set delay, modulation, tremolo or looper timing by tapping a footswitch. The implementation may be a dedicated switch, an external input, MIDI clock or a combination, and the supported timing divisions vary. Check whether the tempo is stored, whether tap is momentary or latching, how quickly the effect follows changes and which blocks respond. Tap tempo is useful only when the control connection and timing range match the workflow.

Others Just Ordered :

Strymon El Capistan Tape Delay Pedal V2 Boss RV-500 Reverb Effects Processor Boss RE-202 Space Echo Delay Pedal Source Audio Ventris Reverb Pedal