The Old Blood Noise Endeavors Bathing Luminal Delay is a boundary-pushing pedal that merges delay modulation and ambient textures into one creative tool. Its allpass filter stages and flexible modulation controls let you sculpt sounds that move beyond traditional delay offering anything from subtle movement to swirling atmospheric layers. With stereo I/O and analogue dry-through it delivers a rich immersive experience while keeping your core tone intact. Designed for complete control Bathing features full MIDI functionality expression control over every parameter and six selectable subdivisions via tap tempo. Its trails or true bypass options along with the ability to store presets make it a versatile choice for both live performance and studio work. This pedal invites you to experiment and explore new sonic dimensions with ease.
Old Blood Noise Endeavors Bathing Luminal Delay Orchid
This is a New Old Blood Noise Endeavors Bathing Luminal Delay Orchid from Old Blood Noise Endeavors, listed in Delay Pedals on Just Pedals. Read More below.
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Brand
Old Blood Noise Endeavors
Old Blood Noise Endeavors has been based in Oklahoma City since 2014. Its catalogue is known for effects that stretch familiar categories into more textural territory, including unusual reverbs, delays, modulation, pitch effects and signal-routing tools. The JustPedals listings include Black Fountain stereo delay, Dark Star stereo reverb, Sunlight dynamic reverb, Signal Blender and Pardner fuzz. OBNE also makes utility pedals such as expression controllers and splitters, so the brand covers both sound design and pedalboard control. Read individual descriptions closely: several OBNE models are designed around evolving or interactive textures rather than one fixed effect setting.
Category
Delay Pedals
Delay records the incoming signal for a chosen interval and repeats it after the original note. Feedback returns repeats to the delay line, while tone, filtering, modulation and saturation determine whether echoes remain clear, darken progressively, wobble like tape or degrade like analogue bucket-brigade circuits. Delay time and rhythmic subdivisions govern the spacing and musical pattern of the repeats.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Stereo
Processes, creates or passes two audio channels. True stereo preserves separate left and right inputs, while mono-to-stereo effects generate spatial differences internally; routing, phase behaviour and whether trails remain stereo determine the resulting image. Some outputs sum to mono when only one socket is connected, which can change level or modulation depth.
Tap Tempo
Measures repeated foot taps and converts their interval into an effect rate or delay time. Subdivisions translate that pulse into dotted, triplet or other rhythmic values, while averaging and range limits influence how quickly and accurately the tempo settles.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
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