NUX Tube Man MK II Overdrive Pedal

£34.99

This is a New NUX Tube Man MK II Overdrive Pedal from NUX is in our Overdrive Pedals category on Just Pedals. Read More below.

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More gain! That was the overall goal. If you're not playing through a real tube amp, cranked for overdrive, it's difficult to get genuine tube overdrive sound. The original Tube Screamer pedals used an OP-AMP system, a basic circuitry that became popular for its “perfect amp” attributes. It had no distortion, so it had to be overdriven or distorted by re-shaping the signal until it distorts (diode-clipping). Clipping it a little bit gives you Overdrive. Clipping it a lot gives you Distortion.

The FET inside the NUX Tube Man MK II allows you to bring out the harmonic attributes, and break-up the distortion into a finer grit, the way a real tube does. Now, your leads will sing richer and longer, and your rhythm will be more open and expressive than ever before. It all culminates into an overdrive that is superbly dynamic, with crisp precise clarity that lets players cut through a dense mix, without losing fat mid-range.

Specifications

  • Controls: Drive, Level, Tone
  • Power: 9V DC Adaptor (Not Included)
  • Dimensions: 94 x 51 x 53mm

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Brand

NUX

NUX made its industry debut in 2006 and is one of the brands owned by Cherub Technology. Its official catalogue ranges from analogue and digital stompboxes to multi-effects, amplifiers, wireless systems, drums, keyboards and recording gear. Cherub lists company locations in Guangdong, China, as well as overseas offices; that identifies the company base, not the factory for every NUX product. JustPedals listings include the NBP-5 Melvin Lee Davis bass preamp, NAI-5 Optima Air acoustic simulator and NDR-5 Atlantic delay and reverb. The range rewards model-by-model comparisons of signal path, presets and instrument-specific features.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.