The MXR M226 Flanger/Doubler brings the legendary sound of the original MXR rack processor to your pedalboard. Recreating its all-analogue circuitry it delivers the unmistakable flanger and doubler sounds heard on recordings throughout the 70s and 80s. From subtle movement and studio-style doubling to dramatic jet-like sweeps and layered modulation it offers exceptional depth and flexibility. You can shape every aspect of the effect while dedicated Flanger and Doubler modes dramatically expand its range. The M226 delivers classic character with modern convenience. Built for creative players and demanding rigs alike the M226 features CV input and output for seamless integration with compatible pedals synthesisers and modular equipment. An input level switch optimises headroom for both instrument and line-level signals ensuring outstanding performance. The illuminated Sweep LEDs provide visual feedback of the modulation cycle making it easy to understand how your settings interact. Packed into a rugged enclosure the Flanger/Doubler combines vintage-inspired sound intuitive control and advanced connectivity.
MXR M226 Flanger/Doubler Pedal
This is a New MXR M226 Flanger/Doubler Pedal from MXR its found in our Flanger Pedals on the Just Pedals menu. Read More below.
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Brand
MXR
MXR’s first product was the Phase 90, released in 1972. Dunlop’s official MXR history traces the early line from that compact phaser to the Distortion+, Dyna Comp compressor and Blue Box octave fuzz—circuits that remain central reference points for the brand. JustPedals carries those classic families alongside the Carbon Copy analog delay, Micro Amp, Talk Box and bass effects. MXR’s range is deliberately broader than one effect category: compare the model number and version, especially where a classic circuit has later reissues, mini enclosures or expanded controls.
Category
Flanger Pedals
Flanging mixes the dry signal with a very short delay whose time is continuously modulated. The paths reinforce and cancel at regularly spaced frequencies, producing a moving comb-filter sweep with a hollow, metallic or jet-like character. Rate and depth set the motion, while feedback sharpens the notches and can push the effect towards resonant, self-oscillating textures.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
Bass
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
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