MXR 20th Anniversary Zakk Wylde Audio Overdrive Pedal

£139.99

This is a New MXR 20th Anniversary Zakk Wylde Audio Overdrive Pedal from MXR is in our Overdrive Pedals category on Just Pedals. Read More below.

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MXR Celebrates the 20th anniversary of the explosive collaboration between Dunlop and Zakk Wylde with the MXR Wylde Audio Overdrive. Achieve Zakk Wylde`s loud, punchy overdrive and soaring lead tones, with this rugged stomp box.

This pedal will transform your amp and give you a devastatingly heavy tone. With a simple Output, Tone, and Gain control layout, setup is fast and easy so that you can concentrate on the important business at hand – delivering crushing sonic tones!

Key Features

  • Simple to use pedal – The pedal has been designed to be simple to use, with an Output, Tone & Gain control, so no need to spend a massive amount of time to dial in the tone you want, so you have more time to deliver crushing sonic riffs.
  • Incredible Sustain – Zakk Wylde achieves his high gain tone by putting this pedal in front of a high gain dirty amplifier, this delivers intense lead tones, and endless sustain. Now wield yourself with this pedal to create guitar solo`s with sustain to last you as you see fit!
  • Built to Deliver Punch – This is the perfect pedal to deliver high-gain, crushing overdrive.

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Brand

MXR

MXR’s first product was the Phase 90, released in 1972. Dunlop’s official MXR history traces the early line from that compact phaser to the Distortion+, Dyna Comp compressor and Blue Box octave fuzz—circuits that remain central reference points for the brand. JustPedals carries those classic families alongside the Carbon Copy analog delay, Micro Amp, Talk Box and bass effects. MXR’s range is deliberately broader than one effect category: compare the model number and version, especially where a classic circuit has later reissues, mini enclosures or expanded controls.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.