Morley 20-20 MT Mini Series Classic Switchless Wah Pedal

£149.00

This is a New Morley 20-20 MT Mini Series Classic Switchless Wah Pedal from Morley its found in our Wah & Filter Pedals on the Just Pedals menu. Read More below.

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Here's what Morley say:

The Classic Switchless Wah comes equipped with the great features our Wah pedals are known for, all for just $99. Yes, you read that correctly! Just $99. You get classic Wah-Wah tone with our MQ2 Inductor, dependable Electro-Optical circuitry, smooth and easy Switchless activation, and our 20/20 Buffer circuitry.

Key features

  • Switchless operation; Simply step on the treadle to engage the Wah and step off to bypass.
  • Engineered to save space on your board; 6.85" x 4.5" x 2.5" (L x W x H)
  • Our world famous Electro-Optical design. No pots to wear out!
  • Classic Wah tone with a custom MQ2 Inductor.
  • 20/20 Buffer circuit ensures pure guitar tone and output.
  • Glow-in-the-dark treadle rubber and Morley logo.
  • Powered by one 9-volt battery or optional Morley 9V adapter. Compatible with most 9V adapters.
  • Rugged cold-rolled steel housing, LED indication, quick clip battery door and one-year warranty. Lifetime Warranty available with registration.

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Brand

Morley

In the current JustPedals catalogue, Morley is represented by Wah & Filter Pedals, Volume Pedals and Boost Pedals. Current listings include 20-20 Wah Lock, 20-20 Power Fuzz Wah and 20-20 Lead Wah Boost. That makes the range relevant to players looking for drive, gain and clipping. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Wah & Filter Pedals

Wah effects sweep a resonant band-pass or related filter through the frequency spectrum, creating the vowel-like movement associated with the treadle. Envelope filters move automatically in response to picking level, while fixed and sequenced filters use other control sources. Sweep range, resonance, direction, sensitivity and input loading determine whether the response is vocal, percussive, smooth or sharply synthetic.