Mooer Audiofile Guitar Headphone Amp Pedal

£64.99

This is a New Mooer Audiofile Guitar Headphone Amp Pedal from Mooer, listed in Pedal Amps & Headphone Amps on Just Pedals. Read More below.

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Here’s what Mooer have to say about the Audiofile Headphone Amplifier:  

AUDIOFILE is an all analog, hi-fi quality, pedalboard headphone amplifier. This class A amplifier circuit will bring a smile to the faces of even the most disconcerting of audio addicts. Hook up AUDIOFILE as the last unit in your signal chain and leave it there as a permanent resident on your board.

Connect your headphones and activate the analog cab sim for totally immersive practice sessions.

When playing live the AUDIOFILE can be completely bypassed or used as an excellent “always-on” signal buffer/booster with the cab sim turned off.
Purity, warmth, dynamics and retention of tone are the name of the game with AUDIOFILE.

Specifications

  • Professional headphone amplifier, specifically designed for use with guitar and bass pedalboards Utilizes an analog Class A amplification circuit. Ensuring instrument and effects maintain purity, warmth and a high level of dynamics.
  • Stereo and Mono inputs, stereo and mixed mono outputs
  • Optional built in analog speaker cabinet simulation
  • Doubles up as a signal boost/buffer when not being used for headphone amplification
  • True bypass means AUDIOFILE can become a permanent resident on your pedalboard even when not in use.

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Brand

Mooer

In the current JustPedals catalogue, Mooer is represented by Multi-Effects Pedals, Distortion Pedals and Multi Effects. Current listings include Baby Bomb 30, ABY and X2 Preamp. That makes the range relevant to players looking for drive, gain and clipping, plus time-based effects and ambience. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Pedal Amps & Headphone Amps

Pedal amps and headphone amps put an amplifier voice and a practical output stage into a compact format. They can sit after a pedalboard and feed headphones, an interface, powered monitors, a PA or a real power amp. Some include speaker or cabinet simulation, auxiliary inputs, USB or multiple amp voices; others are designed for a specific output path. Check the routing, output level, cabinet bypass, headphone load and power supply before using one as the final stage of a rig.

Tags

Analogue

Analogue products use continuous audio circuitry for some or all of the signal path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. The label does not guarantee a particular tone; component choice, headroom, bias, noise and the surrounding gain stages still matter. Check whether the switching, presets, control section or cabinet stage is digital when the exact signal path is important.

Bass

Bass products are designed or voiced to retain low-frequency information and usable headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression, crossover points or drive character. A guitar pedal can sometimes work well on bass, but it may remove the fundamental or compress the transient. Check the frequency response, input impedance, output level and dry-signal path with the intended tuning and amplifier.

Cab Simulator

Cabinet simulator products apply speaker and cabinet filtering, often from an impulse response or modelled curve, to make a direct signal behave more like a miked cabinet. They are useful after an amp or preamp into an interface, mixer or headphones. File format, sample rate, memory, microphone options, bypass routing and stereo support vary, so check those details before sending the signal to a real guitar cabinet or a full-range monitoring system.

Stereo

Stereo products provide separate left and right audio paths, which may widen modulation, preserve independent delays or route a pedalboard into two amplifiers or a mixer. Input and output behaviour is not always symmetrical: some units sum a stereo input, while others create stereo from a mono source. Check whether the effect collapses safely to mono, how the dry signal is routed, the socket format and the destination’s panning and phase requirements.

True Bypass

True bypass removes the effect circuit from the audio path when bypassed, usually by mechanical, relay or switching circuitry. This can preserve the direct signal but does not automatically solve long-cable loading, and it may create a pop or leave no buffer for the rest of the board. Check the actual switching method, trails or spillover, input and output loading and the number of other true-bypass pedals in the chain.