Brand
M-VAVE is a music-gear brand of Shengke, whose official company history describes a move from consumer wireless audio into instrument products using wireless transmission and digital signal processing. The current range mixes compact single-effect pedals, multi-effects processors, headphone tools and wireless systems. JustPedals listings include the Mini Universe digital reverb, Tank multi-effects, H8 headphone amplifier and pedal tuners. TANK-G adds amp modelling, USB audio and recording features, while Mini Universe is a compact dedicated reverb. Check the product type before comparing M-VAVE listings, as the brand covers both stompboxes and supporting equipment.
Category
A multi-effects processor combines several effect algorithms and signal-routing stages in one unit. Its sound depends not only on the individual models but on their order, parallel or serial routing, processing resolution and available control. Preset structure, switching gaps, foot control, expression assignment, amp or cabinet modelling, USB audio and MIDI determine how completely the processor can replace separate pedals.
Tags
Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.
Creates one or more time-separated copies of the signal. Delay time sets their spacing, feedback determines how many repeats continue, and filtering, modulation or saturation decides whether successive echoes remain clean, darken, wobble or break apart.
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
Contains a battery designed to be recharged inside the unit. Cell capacity determines operating time, while charging connector, charge-while-playing support, battery protection and eventual replacement access affect long-term use. Charging noise and the number of full cycles before capacity declines are additional design considerations.
Builds a dense tail of reflections around the original sound. Early reflections establish apparent distance and size, while decay, diffusion, damping and modulation shape the density, brightness and movement of the later field. Pre-delay separates the dry attack from the ambience, and mix controls their relative level.