The Laney Black Country Customs is a signature commission designed especially for Black Sabbaths Tony Iommi to re-capture a classic sound from his past. The renowned guitar sound on the first Black Sabbath album was possible because of a modified Dallas Arbiter Range master pedal which was subsequently lost along with its killer tone. Now Black Country Customs have recreated the powerful boost pedal allowing more players to make its sound their own.
Laney Black Country Customs Tony Iommi Signature Boost
£119.00
This is a New Laney Black Country Customs Tony Iommi Signature Boost from Laney, listed in Boost Pedals on Just Pedals. Read More below.
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Brand
Laney
Laney Amplification is a British manufacturer of guitar and bass amplifiers, known for their rich heritage, innovative designs, and powerful sound. Founded in 1967 by Lyndon Laney, the company has a long history of providing musicians with high-quality amplification solutions for both live performance and studio recording.
Among Laney’s product lineup, their guitar amplifiers stand out as some of the most respected and sought-after in the industry. From classic tube amplifiers like the Lionheart and the Supergroup to modern digital modeling amps like the Ironheart and the Black Country Customs series, Laney amplifiers offer musicians a wide range of tones and features to suit different playing styles and preferences.
In addition to guitar amplifiers, Laney produces a variety of bass amplifiers, speaker cabinets, and audio accessories, designed to meet the needs of bassists in any musical genre. The company’s commitment to quality craftsmanship and innovation has made Laney a trusted choice for professional musicians and enthusiasts alike, providing reliable amplification solutions that deliver powerful sound and exceptional tone.
Category
Boost Pedals
A boost raises signal level without deliberately creating a new effect waveform. Clean boosts emphasise level and headroom, while coloured boosts reshape bass, midrange or treble and may add mild clipping at higher settings. Placed before a gain stage, the extra level changes how that stage distorts; placed later, it can provide a volume lift if sufficient headroom remains.
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