The Kernom Ridge Overdrive is a pedal which gives you endless overdrive possibilities. Its unique MOOD control allows you to explore a limitless range of overdrive clipping variations from soft to hard clipping and everything in between. With its advanced augmented analogue circuitry the Ridge Overdrive seamlessly transitions from a clean boost to high-gain intensity giving you full control over your drive tones. Equipped with dynamic EQ options the Ridge features both pre-tone and post-tone controls letting you shape your sound before and after the clipping stage for ultimate precision. MIDI compatibility allows access to 128 presets while an expression pedal input offers real-time control over multiple parameters adding to the endless array of creativity and overdrive experimentation that this pedal gives you.
Kernom Ridge Overdrive
This is a New Kernom Ridge Overdrive from Kernom, listed in Overdrive Pedals on Just Pedals. Read More below.
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Brand
Kernom
Category
Overdrive Pedals
Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
MIDI
Sends, receives or responds to Musical Instrument Digital Interface messages rather than carrying the instrument audio itself. Program changes recall presets, continuous controllers move parameters, and MIDI clock or transport messages synchronise timing between devices.
Presets
Stores complete groups of parameter values for later recall. The number of locations, switching time, spillover behaviour and whether presets include routing, expression and MIDI assignments determine how completely one sound can change into another.
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