The Keeley Angry Orange Distortion and Fuzz is perfect for guitarists looking to blend classic and new distortion tones into their setup. With two legendary circuits – the Japanese distortion from the 70s and a classic Soviet fuzz – this pedal lets you experiment with both while offering two all-new hybrid tones for even more creative control. The Angry Orange features a simple three-knob layout and allows you to easily switch between Buffered and True Bypass for flexible rig setups. Whether youre after hard-hitting distortion or soft vintage fuzz this pedal offers it all in an all-analog format delivering rich saturated sounds without compromising on quality. Manufactured in the USA its built to withstand the demands of professional use.
Keeley Angry Orange Distortion and Fuzz
This is a New Keeley Angry Orange Distortion and Fuzz from Keeley Electronics, listed in Distortion Pedals on Just Pedals. Read More below.
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Brand
Keeley Electronics
Keeley Electronics is a prominent American manufacturer of guitar effects pedals, founded in 2001 by Robert Keeley. The company has established a strong reputation in the boutique pedal industry through its focus on precision engineering and high-quality audio performance.
Keeley is renowned for its active and passive pedal designs, including iconic models like the Katana Blues Driver, the Compressor Plus, and the Delay Workstation. Keeley’s pedals are distinguished by their meticulous craftsmanship, innovative circuit designs, and reliability.
The company’s products often incorporate advanced features such as flexible EQ controls, analogue and digital hybrid processing, and extensive tone-shaping capabilities, making them favoured by both professional and amateur guitarists seeking exceptional sound quality and versatile performance.
Category
Distortion Pedals
Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.
Tags
Analogue
The signal is shaped by continuously varying electronic circuitry rather than being converted into a digital effect algorithm. Component choice, operating voltage and circuit tolerances influence headroom, noise, clipping texture and the small variations in response between designs.
Fuzz
Pushes the signal into extreme clipping, often approaching a square wave and producing dense harmonics. Transistor type, bias, input loading and filtering govern whether the texture is smooth, woolly, gated, spluttering, octave-rich or highly responsive to the instrument volume.
Hybrid
Combines analogue and digital stages within one signal or control design. A digital section may provide memory, routing or modelling while analogue circuitry supplies clipping, filtering or amplification, so the order and blend of the two domains shape the final response.
True Bypass
Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.
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