• Joyo-R-17 R-17 DARK FLAME Distortion Pedal High Gain Metal Multiple Tones 3 Band
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Joyo-R-17 R-17 DARK FLAME Distortion Pedal High Gain Metal Multiple Tones 3 Band

£49.19

The Joyo-R-17 R-17 DARK FLAME Distortion Pedal High Gain Metal Multiple Tones 3 Band is new on JustPedals, and instock direct. JOYO-R-17 DARK FLAME Distortion Pedal, High Gain Metal Effect, Multiple Tones, 3 Band EQ Pedal for Guitar, Riff Solo

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You can rely on Joyo-R-17 to make great Guitar Pedals. Check out the Joyo-R-17 R-17 DARK FLAME Distortion Pedal High Gain Metal Multiple Tones 3 Band on JustPedals now. JOYO-R-17 DARK FLAME Distortion Pedal, High Gain Metal Effect, Multiple Tones, 3 Band EQ Pedal for Guitar, Riff Solo

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Category

Distortion Pedals

Distortion pedals use stronger or more deliberate clipping than a typical overdrive, adding harmonics, compression and sustain. Some are voiced for amp-like crunch, others for high-gain rhythm or a deliberately abrasive texture. Gain, tone, presence, resonance and output controls determine how the pedal interacts with the amplifier and pickups; a blend or noise gate can preserve clarity in heavier settings. Placement changes the result, so check whether the design is intended to push an amp, run into a clean platform or feed a direct cabinet simulation.

Guitar Pedals

Guitar pedals are compact devices placed in the signal path to change level, tone, dynamics, pitch, time, modulation or routing. This broad category includes simple analogue effects, digital processors, switching and utility products, so the most important differences are the circuit function and connection method. Check whether a model expects instrument or line level, how it is powered, whether it preserves bass or stereo information, and how its bypass behaves with the rest of the board.

Tags

Distortion

Distortion uses deliberate clipping to add harmonics, compression and sustain. Some circuits are voiced for amp-like crunch, others for high-gain rhythm or an abrasive texture. Gain, tone, presence, resonance, blend and noise-control features determine how the pedal interacts with pickups and the next stage. Before choosing, decide whether it will push an amplifier, run into a clean platform or feed a cabinet simulation, because the same control settings can behave very differently in each route.

EQ

EQ changes the level of selected frequency bands rather than adding one fixed effect. Graphic, parametric and sweepable designs can remove resonances, shape a drive stage or place an instrument more clearly in a mix. Centre frequency, Q, cut and boost range, output headroom and bypass type all matter. EQ before gain changes the frequencies that clip; EQ after gain acts more like finished tone shaping, so placement should follow the problem being solved.

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